Yann Coquart

Most of the time, Roland Barthes is classified in the category of the 1970s intellectuals, where all his fascinating singularity fades. Our movie holds exactly to the desire of making perceptible his singularity. In this purpose, the movie is constituted by an editing of archives, articulated around Barthes presence and the progress of his career. It is thus a kind of a Roland Barthes’s cinematic version by Roland Barthes, a self–portrait that could be resumed by a point of view as accurate as possible.

England, 11th century. William the Conqueror (ca. 1027-1087) wins the Battle of Hastings (1066), changing the shape of medieval Europe and the course of English history. An account of the life of the extraordinary Norman warrior who became king.

An investigation into the global nature and epidemic scope of depression, shown from a societal point of view challenging the individual notion of depression. We look at the collective causes of depression with sociologists, social workers, and neuropsychiatrists on the subject’s cutting edge.

In the far-off time of tales, Madeleine and Jean are living on the shores of an alpine lake. They have been together since Jean found the young girl lying in the forest unconscious and amnesic. One day, Jean catches a huge fish, and in the stomach he discovers a young boy asleep. So begin the events that will awaken Madeleine's memory.