Lyle Mitchell Corbine Jr.

Lyle Mitchell Corbine Jr.

Perfil

Lyle Mitchell Corbine Jr.

Filmes

Wild Indian
Editor
Dois homens aprendem a lidar com um segredo traumático que compartilham sobre o assassinato selvagem de um colega de escola.
Wild Indian
Producer
Dois homens aprendem a lidar com um segredo traumático que compartilham sobre o assassinato selvagem de um colega de escola.
Wild Indian
Writer
Dois homens aprendem a lidar com um segredo traumático que compartilham sobre o assassinato selvagem de um colega de escola.
Wild Indian
Director
Dois homens aprendem a lidar com um segredo traumático que compartilham sobre o assassinato selvagem de um colega de escola.
Shinaab, Part II
Producer
A look at Ojibwe ideas surrounding the death process as a young man strives to honor his late father.
Shinaab, Part II
Editor
A look at Ojibwe ideas surrounding the death process as a young man strives to honor his late father.
Shinaab, Part II
Writer
A look at Ojibwe ideas surrounding the death process as a young man strives to honor his late father.
Shinaab, Part II
Director
A look at Ojibwe ideas surrounding the death process as a young man strives to honor his late father.
Shinaab
Editor
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.
Shinaab
Producer
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.
Shinaab
Writer
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.
Shinaab
Director
An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.