Titi Viera-Gallo

In the 80s during the military dictatorship in Chile, my uncle Jarda came from Europe, with a VHS camera. He brought the ashes of his mother, my great – aunt Edita. They said that she lost her mind, was a Trotskyist and Bauhaus Student. They did not want to talk about politics and religion. A dialogue between madness and sanity, certainty and uncertainty, neurosis and wisdom. Was Edita really crazy?

Panzeri was an honest man, a critical journalist, a freethinker. He faced power and died alone and forgotten. Kohan is an outsider obsessed with doing justice, getting Panzeri out of ostracism and bringing him back to this world. Without Panzeri, football has only a few days to live.

Pedro Lemebel, the writer and visual artist, defeated a marginal childhood to become one of the first to shake up Chile’s conservative society during Pinochet’s dictatorship. Dressed in feather boas, stilettos and a sharp tongue, he staged revolutionary performances that defied the era’s terror, he said what no one wanted to hear in a homophobic, repressed and militarized country.

Haydee has been seeking justice for victims of human rights violations for 40 years caused by Pinochet’s regime, but today she faces her most intimate battle, the end of a long trial that condemns her torturers, the murderers of the son she carried in her womb. Along the way, health problems will bring back memories of her darkest days.

After the coup d'État of the Democratic government of Allende, the embassy of Italy in Santiago played a major role in helping the opposers of the regime, and extradited many of them to Italy.

A poetic journey from Tierra del Fuego to Santa Cruz de la Sierra, Bolivia, made by nine Latin American and European poets, artists and architects in 1965. Recostructing the events that made this unique experience of art and life possible, as well its consequences, like the foundation of the vanguardist school of architecture of Valparaíso University and the building of an “Open City” in the sands of the Chilean Pacific Ocean.

Observes the creative process and thinking of Alfredo Jaar, of the most relevant artists in contemporary art. His work deals from the migration in the frontier of Mexico and the US, to the genocide in Rwanda and the Chilean coup d'etat in 1973. He sees art as the "last place" of freedom in modern society and from that idea he unfolds his work as an act of resistance.

Quilapayún tells the story of the most important music group from Latin America: Quilapayún.

Marcia, granddaughter of Salvador Allende, the first democratic socialist president who was overthrown by the Army in September 1973, seeks to reconstruct the personal and familiar image of her grandfather, buried by his historical person, her exile and the family pain.

La represa tells the story of an aboriginal tribe that finds itself endangered by the construction of a dam over their sacred land. "Beard in head" and his loyal friend "Straight hair" will have to go to the city to prohibit the construction of the dam by the white man.

After moving into a new house with his friend, Vladimir starts to notice that he awakes every day in a different week as if he has traveled trough time. Could it be the popular local drink -- beer with eggs?

O documentário retrata a história de um grupo de chilenos que fotografou os protestos e a sociedade chilena em suas mais variadas facetas, durante o conturbado período de opressão da ditadura do General Augusto Pinochet. "Na rua, ao ritmo dos protestos, estes fotógrafos se formaram e criaram uma linguagem política. Para eles, fotografar foi uma prática de liberdade, uma tentativa de sobrevivência, uma alternativa para poder seguir vivendo."

Gastón Fernández has arrived at 34 without too much to show or brag about. He has no money, job, girlfriend, friends or life plan. He's a composer that doesn't compose. The one-time "most likely to succeed" at Santiago's Musical Conservatory has passed from promise to failure. He feels he is beginning to wander alone. Isolated and detached. Gastón feels that everyone judges him and see the word loser tattooed on his forehead. At the same time, an alter-ego, a sort of doppelgänger, haunts him.

Paul Kazan can't sleep. He wanders through empty streets. Why is the city of Santiago empty. At night, Kazan is a DJ at the 'Insomnia' disco, one of the few places where there are people. Something is happening. Something weird. There are rumors. Rumors of killer ants and epidemics ...