Anggi Frisca

The world becomes unpredictable when the pandemic happens. But in the face of despair, people put aside reasons and stop worrying. For these couples from Malaysia, Indonesia, and Korea, even love blossoms. They embrace each other and cling to one another desperately and fearlessly. Kuala Lumpur, Jakarta, and Seoul. Three couples in three cities in three countries: The paths of a telemarketer for a loan company and a cart rink owner are destined to cross. A pub owner and a woman with their own background stories. A virgin forklift operator who has never kissed before and a kiss-for-sale manager.

Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.

Tegar, a person with a disability. Having only one leg and no arms, Tegar doesn't get enough love from his parents. Tegar's father left him and his mother was busy working. The only person who loves Tegar with all his heart is Grandpa. Once upon a time when Tegar was forced to live a life outside of himself, Mother had to work in the city and her nurse had to leave her.

After the incident the president gave bicycles to school children, some Papuan children also wanted to experience getting bicycles from the president too

Três garotas em busca da felicidade decidem entrar para uma comunidade reclusa que proíbe namoros e é comandada por um líder carismático.

While in Azerbaijan, Layla, an Indonesian scholar, falls for Samir, an admirer of her work — but her arranged marriage stands in the way.

Vaiyang, a film director, wants to rent a house for making his new movie that owned by a woman named Ning. However, the agreement has the condition that he must accompany Ning until her death prediction is coming tomorrow.

Nona and Ogy are friend and got into the friend zone relationship. Nona and Ogy search for the place where Noah's ark was stranded Towards the dream place. Nona's trip to Azerbaijan was not as smooth as planned.

As a cosmetics company employee deals with insecurities about her body image, she considers a transformation for a chance at a promotion.

Aqilla dreamed of becoming an astronaut and tried to win a vlog contest about space figures with prizes invited to the Outer Space Research Center in England. Disappointment because her uncle who is an astronomer must work in the UK and cannot help making a vlog to finally meet Aqilla with an Indonesian female astronaut who is conducting research on plants to live in space.

A young woman encounters supernatural occurrences while transporting the body of her father, who was recently executed by the state for murder.

The story of Ateng and his twin Agung who have been separated for a long time. Ateng and Iskak, his friend, go to Jakarta for the first time. Unexpectedly, Ateng meets Agung who has the same body and face as himself. Iskak and Agung's personal assistant, Cemplon are also surprised. It is revealed the fact that they are twin brothers who were separated. Ateng and Agung later realize that their parents were still complete even though they were divorced. So the idea arises to exchange places to meet with parents they have never met. The plan is made to reunite the family.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

Tantra and Tantri are inseparable. When they secretly steal eggs from the family’s sacrificial offering, Tantri always gets the whites and Tantra the yolks. One day, however, the yolk is missing, as is Tantra. Her brother gravely ill and in hospital, Tantri starts slipping into magical parallel worlds, approaching the inevitable farewell through costumes, body paint and dance. When at one point Tantri’s mother washes the paint from her face, it is as if tenderly to expel the illusion that things can remain as they are. In long dream sequences and against the background of the Balinese philosophy of sekala – the seen – and niskala – the unseen – Andini relates how one ten-year-old girl deals with parting and grief.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

7 young filmmakers climbed the 7 highest mountains in Indonesia and bring 7 cameras along with them. Experiencing a lot of emotions, meeting new people during the exploration across places, every piece of story show how big, rich, dynamic, and vary.

A group of civilians share a bus ride to Sampar, a town full of natural resources. It is heavily guarded by the state army who is fighting against the rebel militias, who want freedom over their homeland.

When Diana’s husband returns home one night with big news—he has taken on a second wife, and expects Diana to live in harmony with the situation—she does what is least expected and plans to make a life on her terms.

A woman with the gift of foresight tries to prevent her fiance from meeting another woman whom he is truly meant to be with.

In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled 'Amuk'. After 37 years, the sound record archive of that event is found in Jakarta Art Council. Using the archive, Rencong a.k.a DANGERDOPE, a hip-hop DJ from Aceh staged a music show.

Hasyim is a former volunteer from confrontation between Indonesia-Malaysia in 1965. After his beloved wife died, he decided not to marry and live with his only son Haris and Haris's children named Salman and Salina. Living on the border of Indonesia-Malaysia makes its own problems. Border communities have to struggle desperately to keep their lives including Hashim's family, but fidelity and loyalty to the nation make Hashim stay. Beside that, Haris chose to live in Malaysia because he thinks Malaysia is much more promising for the future. He also intends to invite the whole family moved. What happened to Hasyim's family?

Upon discovering that her boyfriend has cheated on her, a woman resorted to traditional Indonesian black magic voodoo to invoke the same pain on him. Revenge is the best way to heal a broken heart. Or is it?

Crisscrossing between the stories of Rima, a dynamic recruit whose ambition is soon thwarted by Islamic convention; the disaffected Jabir, who is looking for a way out of a cycle of poverty and Asimah, who desperately searches the streets for her kidnapped daughter.

"Kita versus Korupsi" is an Omnibus about fighting corruption in our daily life: in workplace, in our family, in school.

SAIA is a picture of a woman who holds trauma due to unpleasant mental and physical experiences. Every day Saia, a 35-year-old woman, peeks at a man's sexual assault against a woman who happens across her room through a window and records it with a video camera. Every development of the situation witnessed affects the psychological and physical side. Until one day he saw a murder happen, and after that there was no more activity. After a while of waiting, he approached the room. Turns out empty. There was no woman, and the corpse of the man killed.