Damian Rodriguez

Filmes

Ron Delsener Presents
Editor
Now well into his eighties, Delsener shows little sign of slowing down. At one point, the camera follows him as he ping-pongs across New York attending multiple concerts in one evening. His love for the work of putting on a show shines through as he drags the filmmakers through crowds and backstage so he can chat with artists and crew members. Interspersed with these present-day adventures are looks back on the highlights of Delsener’s career, reflecting his own intense nostalgia. It’s rare that a documentary so completely embodies the personality of its subject.
Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese
Editor
Em 1975, Bob Dylan embarcou em uma turnê através dos Estados Unidos junto com diversos artistas, brincando com novas técnicas criativas e adotando uma teatralidade raramente vista em sua carreira. Unindo imagens de arquivo restauradas e novas entrevistas com Dylan, o diretor Martin Scorsese captura a experiência desse momento histórico tanto para a música, quanto para o espírito americano.
Trouble No More - A Musical Film
Editor
This very special film consists of truly electrifying video footage from Bob Dylan’s “born again” period, shot on the last leg of his ’79-’80 tour, much of it thought to have been lost for years and all newly restored.
El coyote
Director
BAD just got WORSE! EL COYOTE is a classic good verses evil story, a traditional western, set in present day Mexico. Here corruption and violence are the norm. And the only person who could help now has to be worse than the bad guys. A wandering devil worshiping serial killer named El Coyote comes to the terrorized village of La Cruz. And so many people need killing, he becomes the hero. As the final showdown approaches, the subject of the film, the bloody reality of life in northern Mexico today, overtakes the production and tragically rewrites the script.
Public Speaking
Editor
A feature-length documentary starring Fran Lebowitz, a writer known for her unique take on modern life. The film weaves together extemporaneous monologues with archival footage and the effect is a portrait of Fran's worldview and experiences.