Tobias Adam

At Turkey’s oldest zoo, a lonely manager and a neglected female officer form an unlikely bond: as they hide the death of the zoo’s oldest inhabitant, an Anatolian leopard, in order to stop the privatization process and fake its escape, they set in motion an absurd charade that spins out of control. In Turkey’s grey and quiet capital, the ghost of the leopard persists.

Vetri decided to find her fellow former child soldiers. They, like her, fought for the independence of the Tamil state in northern Sri Lanka. Talking together, they open up the traumas of war and reveal stories that were meant to be forgotten.

Rachel é uma espiã da Mossad, Serviço de Inteligência Nacional de Israel. Após o funeral de seu pai, ela desaparece misteriosamente. A única pista sobre o seu paradeiro é uma ligação criptografada feita ao seu antigo mensageiro na Alemanha, Thomas. Ele é convocado para retornar à Israel a fim de descobrir a localização da ex-parceira, ao mesmo tempo em que precisa frear o programa nuclear do iraniano.

Sven Marquardt might be the most famous bouncer worldwide. But beside standing in front of the legendary techno club Berghain in Berlin, he is also a well-known and skilled photographer. Long before the Berlin Wall came down, Marquardt portrayed the subcultural East-Berlin scene. His black and white photography illustrates it as voluptuous, laid-back, dirty and existential. Even if shot by daylight, his work is permeated by darkness, ecstasy and night.

Estreia no Festival de Berlim

Zerzura is a feature-length ethnofiction shot in the Sahara desert. Mixing folktales and documentary, the film follows a young man from Niger who leaves home in search of an enchanted oasis.

The film is about a project from Christopher Kirkleys called "Sahel Sounds". He owns an independent label and travels through the Sahel area in Africa, to find musician with an unique sound. The music he uses for his vinyl publication is often in low audio quality but authentic. The plot shows the whole process, from negotiating a fair deal with musician to producing the vinyl. He also organizes European tours, in the movie he is on a trip with Mamman Sani and Mdou Moctar, two musician who were found by Kirkleys in Niger.

The film is about a project from Christopher Kirkleys called "Sahel Sounds". He owns an independent label and travels through the Sahel area in Africa, to find musician with an unique sound. The music he uses for his vinyl publication is often in low audio quality but authentic. The plot shows the whole process, from negotiating a fair deal with musician to producing the vinyl. He also organizes European tours, in the movie he is on a trip with Mamman Sani and Mdou Moctar, two musician who were found by Kirkleys in Niger.

The film is about a project from Christopher Kirkleys called "Sahel Sounds". He owns an independent label and travels through the Sahel area in Africa, to find musician with an unique sound. The music he uses for his vinyl publication is often in low audio quality but authentic. The plot shows the whole process, from negotiating a fair deal with musician to producing the vinyl. He also organizes European tours, in the movie he is on a trip with Mamman Sani and Mdou Moctar, two musician who were found by Kirkleys in Niger.

The film is about a project from Christopher Kirkleys called "Sahel Sounds". He owns an independent label and travels through the Sahel area in Africa, to find musician with an unique sound. The music he uses for his vinyl publication is often in low audio quality but authentic. The plot shows the whole process, from negotiating a fair deal with musician to producing the vinyl. He also organizes European tours, in the movie he is on a trip with Mamman Sani and Mdou Moctar, two musician who were found by Kirkleys in Niger.

The Congolese Sikumoya faces prejudice and racism on a regular basis. He's accused of not adapting enough to the "German culture" and tries harder. A Neo-Nazi group and his mother-in-law push him to the breaking point. While in a coma, his metamorphosis completes.

The Congolese Sikumoya faces prejudice and racism on a regular basis. He's accused of not adapting enough to the "German culture" and tries harder. A Neo-Nazi group and his mother-in-law push him to the breaking point. While in a coma, his metamorphosis completes.