Margarita Padín

Filmes

I, the Worst of All
A viceroy and an archbishop take their posts in Mexico. A local nun, Sor Juana Inés de la Cruz (1651-1695), intrigues them. The viceroy and his wife find her brilliant and fascinating. The prelate finds her a symbol of European laxity. He engineers the election of a new abbess, severe and ascetic. The virreina visits Sor Juana often and inspires her to write passionate poetry that the archbishop finds scandalous. The viceroy protects her. After he is replaced and returns to Spain with his wife, Sor Juana faces envy and retribution. A bishop betrays her, her confessor humbles her. Plague, a tribunal, and her confession as "the worst of all" end the great poet's life.
El sonámbulo que quería dormir
The nephews of an elderly millionaire want to eliminate him in order to inherit his fortune.
There is nobody like you
Locuras, tiros y mambo
Five friends join a Cuban to face a powerful gang that wants to take over the theater in which they perform.
Mamá Gloria
The romance in a student pension run by a good-natured spinster, between a pensioner and a student gambler.
De México llegó el amor
Puerta cerrada
Nina Miranda leaves jail after spending 20 years imprisoned for a murder that she insists she did not commit and recalls the time of her youth.
Picaflor
An habitant of the Paraná Delta is tempted to engage in smuggling but abandons it for the love of a teacher.
Dancing
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.