Romania's winning streak at festivals continues, but the most unusual and ambiguous one still lurks in mysterious darkness. The undeservedly underrated Gabriel de Achim challenged the widely renowned Cristi Puiu (“The Death of Mr. Lazarescu”) to make a film using all the things, which the established Romanian master most detests in cinema. He constructed a non-linear story with wickedly tangled flash backs and flash forwards and set the same actors to perform different and multi-faceted roles.
At a theatre workshop for young people, a teenager embarks on a sexual relationship with a slightly older girl. But isn’t this all a bit of a mistake? The people around them react in various ways, yet no-one is indifferent to what’s going on.
Mia, a young actress, is slapped by her boyfriend. That does it. She moves back home and starts planning her revenge. She decides to make a sex video to send to her ex. She just needs to find a man to make it with. And that’s when it turns out things are not that simple.
Two girls begin to chat about another girl, a former lover of both. As they grow closer, the gap between them widens, as one them is looking for answers and love while safely closeted. A try-out for love confined within suffocating prejudices, in today's Romania.
Romania, 1968. Two very different brothers. Mihai is a secret police informant, Emil is a dedicated dissident. When they have the opportunity to have their ailing father’s eyes operated on in East Germany, the three set out on a moving odyssey.
Romanian Ada faces the summer working as a prostitute with her aunt at a Norwegian camping site. When she encounters Henriette, a Norwegian girl, it sets a spark in her dream of a better life. Ada tries to push away reality, but as night falls the two worlds starts colliding.
