Production Design
Paolo and Maria are two ordinary newlyweds who live just outside their town. One morning Paolo goes out to buy some fish and doesn't come home. Down in the main square, a woman has had a valuable necklace snatched by a teenager on a lark. When the thief gets away, Paolo, whose path has crossed that of the woman and the townspeople, is accused by the victim of pulling off the heist. He tries to run away but is picked up by a cop and taken to a basement, where the policeman orders him not to move and await his return.
Costume Designer
When a young woman moves to a room in London, she must figure out what is behind the strange happenings in her new house share before she becomes another victim of the mysterious presence living upstairs.
Art Direction
When a young woman moves to a room in London, she must figure out what is behind the strange happenings in her new house share before she becomes another victim of the mysterious presence living upstairs.
Art Department Assistant
Em 1969, os Estados Unidos estão prestes a lançar o Apollo 11 ao espaço. Enquanto isso, a Academia Espacial de Zâmbia se prepara para vencer essa corrida e enviar à lua sua própria astronauta, Matha Mwamba.
Production Manager
Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.
