Hoh Wan

A triad assassin is sent to kill a female witness to a murder only to fall in love with her instead.

A well-known gangster is released from prison, and decides look for his daughter with the help of a troubled young woman.

The males in a triad family are betrayed and gunned down by a rival gang and the women in the family - from the matriarch to the youngest - decide that rather than sit around and mourn their men that they will extract revenge.

The psychotic son of a rich man continues to get away with raping young women, with the help of an unscrupulous lawyer. A journalist working for a women's magazine becomes involved when her friend becomes a victim. Because of her campaigning efforts, the journalist herself becomes a target of the vicious brat's attentions.

'FLOWER KID' was a 'Robin Hood' type of hero who robs the rich and gives the poor. He was adored by many people especially a kid named 'FATSO', who considered himself as 'FLOWER KID jr.' Madam Bee, a woman of guts and evil hated 'FLOWER KID' because he once refused to kill her husband. She then married a rich 'Big Shot' and used his money and power to hire a bounty hunter called 'SKINNY'. Skinny caught the imitating hero 'Fatso'. They fought, understood, became good friends and went on look for 'Flower Kid'...

Gordon Liu as the Master Killer has taken a vow not to use his superior fighting abilities, but he is put to the test when he must transport a valuable map across dangerous territory. Features amazing fight scenes choreographed by the Lau Brothers.

A real murder case which was complicated by the ménage à trois relationship the victim had with the main suspects. As different witnesses narrated their conflicting stories, the case seemed set to lead to nowhere; especially when the real identity of the dead person was finally discovered.

Two people in debt to loan sharks cooperate with each other to clear their debt and cheat other people out of their money.

Shaw production

A dandy fop who just happens to be great at Kung-Fu, is traveling the countryside in the Hong Kong of old. He has to negotiate a treacherous landscape filled with tricksters and tough guys, and fight a lot of battles in hand-to-hand martial arts combat, in order to be reunited with his lost love. In order to do this, he teams up with a ragtag bunch of orphans.

18-year-old Ainu is kidnapped and sold to a brothel. Her good looks and wild personality make her very popular with the lustful clients, but also draw the lesbian attentions of brothel madam Chun Yi. Chun Yi teaches Ai nu the ways of lust and the ways of kung fu, and Ai nu becomes more and more similar to her captor. But rage at her treatment is still burning inside her.

Sworn-brothers expert martial artists are the targets of a mysterious killer, which seems to bear a grudge against them for what happened several years ago.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

Working as a telephone operator on the nightshift, David Lau received some calls from a woman for a David and agrees to a blind date. Wearing a violet on his lapel, David mistakes someone else for his date. Jennie Lee, a stranger, comes calling at the hotel, addressing a bewildered David with an intimacy that is familiar and awkward. Mok Yu-fuk, the self-proclaimed Sherlock Holmes, follows Jennie but gets robbed. Lau received an invitation to Jennie's birthday party. The guests acting strange at the party. Jennie and Lau take a stroll along the beach. Jennie suddenly hurls herself into the sea in a run. Five years ago, when Jennie was having a heart-to-heart talk with her fiance David Wong on the beach, her neglected brother ran off to the sea and drowned himself. Suffering from a nervous breakdown ever since, Jennie was devasted by the departure of her fiance to America. The hopes Jennie's parents are pinning on the new David to boost their daughter's recovery are merely wishes.

Um templo, protegido por um cem número de armadilhas, abriga uma gangue de facínoras. Eles precisam ser detidos. Mas a qual custo? Após a morte de seis companheiros seus, Wen Suchen infiltra-se com dois auxiliares como um inofensivo estudioso para descobrir os segredos sombrios do lugar.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

The woman thief Pak Siu-yin was discharged from prison and Inspector Chan has set a trap for Bak to lure the head of the gangster Yim Fong, who used to threaten Pak to commit crime for his gang.

Hong Kong was quickly becoming industrialised in the 1960s. The market was hungry for female labourers with a grasp of crafting skills. In addition to being wives and mothers, many women entered the labour market at that time. This ‘streamlined comedy' (as it was advertised) is called Three Love Affairs, but the main action is centred on the lovers played by Ting Ying and Cheung Yee. In order to make themselves more appealing, the factory girl pretends to be the daughter of a successful businessman, while the chauffeur pretends to be from a wealthy family. Their relationship is fraught with worry and anxiety, because they are confused about their own identities, and have not yet come to terms with themselves and their lives. With the support of the Manufacturers' Association, the film was shot on location at an actual factory, evidencing a prosperous period in Hong Kong's industrial history.