Producer
"Diablo Viejo" was going to be a family road trip movie, but the production stops when the co-directors' 9 year relationship comes to an end. After the separation both put together their own version of the story with the pieces of a broken relationship and a frustrated documentary.
Executive Producer
Producer
The final days of the mythical rental house 'Mondo Macabro', located in Corrientes Avenue in the heart of Buenos Aires. Specialized in Authors and bizarro films Mondo Macabro was during 20 years a symbol of the under culture in Buenos Aires.
Executive Producer
The final days of the mythical rental house 'Mondo Macabro', located in Corrientes Avenue in the heart of Buenos Aires. Specialized in Authors and bizarro films Mondo Macabro was during 20 years a symbol of the under culture in Buenos Aires.
Writer
The final days of the mythical rental house 'Mondo Macabro', located in Corrientes Avenue in the heart of Buenos Aires. Specialized in Authors and bizarro films Mondo Macabro was during 20 years a symbol of the under culture in Buenos Aires.
Director
The final days of the mythical rental house 'Mondo Macabro', located in Corrientes Avenue in the heart of Buenos Aires. Specialized in Authors and bizarro films Mondo Macabro was during 20 years a symbol of the under culture in Buenos Aires.
Director
Producer
Three teenage friends, between bike rides, boring classes and days at the swimming pool, trigger a strong and different attraction between two of them that they did not feel before. Maybe it will be the last summer of their childhood, maybe it will be the last summer of the three of them together.
Production Assistant
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
