Stefano Miraglia
Nascimento : 1988-01-09, Málaga, Spain
História
Stefano Miraglia (Málaga, 1988) is an Italian-Spanish artist, curator and writer based in Paris. His activities focus on artists’ film and video.
Often composed from diaristic and archival images, his films explore the notion of collage in cinema, combining noise music, photography, documentary and abstraction. His work has been presented internationally in exhibition spaces such as the Taiwan Contemporary Culture Lab (Taipei), Fabrica research center (Treviso), Le dôme (Montbazon), Centrum (Berlin) and in numerous film festivals such as Prismatic Ground, ICDOCS, Vienna Shorts and Festival des Cinémas Différents et Expérimentaux de Paris - where his film Anoche received an award in 2017. His work is distributed by Collectif Jeune Cinéma. Since 2018 he has curated and presented several programs of experimental and artists’ films. Stefano is the founder and principal curator of Movimcat, an online project for the dissemination of artist’s cinema. Since 2019 he has been working on the rediscovery and reappraisal of the work of Ellis Donda. Stefano Miraglia is a member of the French association of art curators C|E|A.
Editor
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
Director
A flock of memories activated by various musical exercises, to strike the past to the heart, to build something utopian: the future, a sonic architecture. Music as a tool, transcriptions of YouTube tutorials as poetry, percussion exercises as descriptions of reality.
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A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.
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Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.
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"Her hallucinations, she emphasized, were unlike anything she had ever experienced before. They tended to be fragmentary--a few bars of this, a few bars of that--and to switch at random, sometimes even in mid-bar, as if broken records were being turned on and off in her brain." (Oliver Sacks, Musicophilia)
Director
Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.
Editor
A text, some images, and an unstable arrangement of durations to which one can devote a fluctuating form of attention.
Cinematography
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
Music
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
Director
An experimental music ensemble is recording an album. They want a very specific sound: the sound of thick air. The sound engineer struggles to understand and to find that sound. A tale of sleepless nights and loud music, a noise-injected collage composed of diaristic footage, a found narrative (memories of a popular 60s band), original music and field recordings.
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An exploration of Rodez Cathedral and its stained glass windows: praying figures and scientific imagery. A study on color, repetition and flickering consisting of 292 photographs.
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A description of some parts of the world - explored, visited, documented, imagined. An abstract attempt at finding them again. The title refers to geographer and civil servant of the Republic of Venice Giovanni Battista Ramusio (1485-1557).
Editor
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Music
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Director
Three memories that become one. An attempt to merge heterogeneous materials: a film sequence shot in Rome, a photo from the 1930s, a noisy soundtrack. Fragmented lines, exploding bass frequencies and flickering.
Director
"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
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Claire is composed of digital scans and blow-ups of a series of three ink-on-paper artworks created in 2012 by French-Spanish researcher, publisher and artist Claire Latxague. While collecting drawings, written documents and other printed materials for a (yet unreleased) project called Un film de papier, I’ve stumbled upon Latxague’s artwork, entitled À la renverse. The blow-ups were made in an attempt of unearthing cartographic imagery in abstract compositions.
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Commissioned by Harald Inhülsen for MasterclassFilm. A companion piece to Leandro Varela's Self Portrait, also part of the same commission.
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Documentation of Lygia Pape’s 1968 performance Divisor - reactivated in the city of Villeurbanne (France) in October 2014. Commissioned by Institut d'Art Contemporain de Villeurbanne / Rhône-Alpes.
Music
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Music
Black giants break classical architecture and rebuild them into Brutalistic structure.
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