Rini S. Bono

Filmes

Bintang Kejora
Dahlia
Bintang Kejora, an adventurer, is a drug seller who is boastful. He is blacklisted everywhere for being a fraud. One time he comes to a drought-stricken village, merely to see a girl he caught a glimpse of, sticking her head out of the window of a passing bus.
Musang Berjanggut
Siti Syarifah
The King of Parun becomes angry at his adopted son, Tun Utama, who turns down every princess as his future fiancée. So his Majesty orders Tun Utama to find his own choice of a girl. If that fails, he will be severely punished. Tun Utama then returns with a beautiful princess, Siri Syarifah. The beauty of Siri Syarifah captivates even the King himself. They all try to find a trick to separate them. The King pretends to be sick and can be cured only after eating the liver of a bearded weasel. Tun Utama is assigned to find the animal that doesn’t exist. During the absence of Tun Utama, Siri Syarifah remains faithful. She does not react to the persuasions from the King. When Tun Utama fails to accomplish the mission and would end up beheaded, Syarifah manages to save her lover by bringing the bearded weasel in a trunk, hidden inside is a man, a member of the royal family in the palace of Parun.
The Man from Tingkir
Ratu Kambang
In an effort to prove himself worthy of being a soldier, a young man named Karebet must face off against an angry buffalo, the Queen of the Alligators and a rival and his army.
Hell Raiders
Latifah
The story of Indonesia's fight for independence from the Dutch.
Lady in a Trap
Marni
The film tells the story of Fitria, the symbol of Indonesian women who are beautiful, subtle, humble, simple and very flexible in all respects. She always obeys her parents and her husband... and this is where all the problems arise as Fitria finds herself being maddened by what society expects her to be.
Laila Majenun
Laila
A little boy is told the tale about the development of Jakarta, when a village was divided into two, and causing the people to oppose each other. On one side, there is Anton while the other side is lead by Mahmud. Maulana, the village boy whom Anton has adopted, falls in love with Laila, the sister of Mahmud. This love affair irritates Majid, Mahmud’s right-hand man, because he has loves Laila, long before her meeting with Maulana. Maulana and Laila refuse to take sides between the two opposing sides, and try to reconcile them. But a battle is inevitable. In the end, Mahmud kills Anton; but Mahmud dies at the hand of Maulana, his future brother-in-law. Then Maulana runs to Laila’s house and confesses. Laila forgives him, but Majid cannot. He orders a boy to steal the gun of Sabeni, an informant, and he shoots Maulana with it. While the intention was to make this film a musical, it didn’t work as the “realistic world” and the “musical world” could not blend fully.