Wu Haohao

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

An ordinary woman is infected with hedonism and rejects all social conventions. She encounters various types of men in her pursuit of love and happiness. She loves and is loved, cheats and is cheated, exploits and is exploited, bores and is bored.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Adapted from Zhu Yu's work "I Discuss the Matter of Eating Children with Women." Zang Qing wants to try something: to have his own child eaten by himself or a dog. The child needs to be aborted and removed from its mother's belly after three months of pregnancy. To this end, Zang Qing seeks a woman to bear the child. This film is a concrete process.

Ge Ningning performs a series of solo dances.

Ge Ningning performs a series of solo dances.

Ge Ningning performs a series of solo dances.

Underground independent director posts online for an actress, unpaid and to accept bed scenes. A prostitute with a crippled leg wanted to participate and the director suggested that he needed to know the prostitute, so he wanted to have sex ......

Underground independent director posts online for an actress, unpaid and to accept bed scenes. A prostitute with a crippled leg wanted to participate and the director suggested that he needed to know the prostitute, so he wanted to have sex ......

An uncomfortable encounter between the filmmaker and the famed artist.

An uncomfortable encounter between the filmmaker and the famed artist.

An uncomfortable encounter between the filmmaker and the famed artist.

An uncomfortable encounter between the filmmaker and the famed artist.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

An independent film director visits his family's home in Taiyuan, where he discusses love, marriage, and family with his mother and shows Pasolini's DECAMERON to his father. He returns to Beijing after the Chinese New Year celebrations and pursues sex and love.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.

Liang Kun, I love you, please believe me. Haohao faces his surroundings, feels his surroundings, and transforms his surroundings in this long process of growth. Author's note: Face towards the world, take action towards the world. Wu Haohao, youth, Taiyuanese, loves Liang Kun and loves Communism.