Lyubomir Kirilov

Filmes

Torrid Noon
A young boy (I. Spassov) gets his hand caught in a bridge beam on a hot summer day in this straightforward drama. As the water level rises in the river, people band together to try and save the boy before he drowns. He is comforted by his mother (G. Vachtov) and an army general (P. Slobokov), and the latter calls out the troops to save the lad from liquidation. This feature was the official Bulgarian entry at the 1965 Cannes Film Festival and is devoid of the usual 1960s propaganda associated with countries from the Eastern block of Europe.
The Traces Remain
Colonel Filipov
This is a typical story from the 'cold war' era. A group of kids play on a quiet street in Sofia. From a nearby window falls a key. The helpful youngsters quickly return it to the owner, but in the haste switch the keys. The unintentional error disentangles a whole spy story. The young detectives doubt the good intentions of the man they tried to help. It turns out that the key is from a secret apartment where saboteurs are hiding. The secret network is exposed to the authorities and the kids feel like heroes.