Dmitry Ulyanov

The production by Calixto Bieito extracts all the potential from this work in a most convincing and spine-chilling way. The action takes place in a closed society of the 1950s, taking this story of witchcraft, sex and religion to the realism of imitation leather sofas, crochet cardigans, medical abuse and child molestation.

Lying in bed, Tsar Dodon dreams of retirement. The problem is, people keep invading his country. His astrologer offers him a golden cockerel with magical powers, a weather vane which indicates from which direction danger will come. In his case, it will be from the East in the shape of a charming oriental princess determined to conquer his kingdom.

Of Shostakovich’s initial undertaking – a trilogy on the tragic destinies of Russian women through the ages – only one opera was ever written: the hard-hitting Lady Macbeth of Mtsensk. Although one of the mainsprings of the work, the Shakespearean parallel is here bitterly ironic: unlike Lady Macbeth, Katerina Ismaïlova who, in the remote reaches of rural 19th century Russia, falls in love with one of her husband’s employees and is finally forced to commit suicide, is less a manipulator than a victim of a violent and patriarchal society. Krzysztof Warlikowski liberates all the subversive power of this scorching and scandalous work, which marked the early years of the Opéra Bastille.

A passionate count enlists a local barber and jack-of-all-trades to help him woo and wed a quick-witted woman. But it will take all their cunning - as well as some disguises and bribes - to ensure love wins the day. This production of Rossini’s comic masterpiece revives and stylises a historic staging from 1997 on the occasion of the 200th anniversary of the opera’s premiere. Directed by José Luis Castro, the magnificent scenography by painters Carmen Laffon and Juan Suárez depicting Rossini’s romantic vision of the Andalusian capital in Seville itself.

When a power vacuum opens up in Tsarist Russia, a ruthlessly ambitious prince conspires with the Streltsy militia and the schismatic Old Believers to usurp the throne. Based on real life events surrounding the Moscow Uprising of 1682, Mussorgsky’s political thriller is a powerful portrayal of a country in crisis. This 2015 production by Moscow State Stanislavsky Music Theatre uses Shostakovich's orchestration with a finale by Vladimir Kobekin.

Rimsky-Korsakov lavished a gorgeous score on this rustic tale of love and the supernatural. This acclaimed 2008 production by the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre marks the opera’s first appearance on DVD. The company’s brilliant staging is modern in its dramatic intensity yet firmly rooted in the traditional heart of the work.