Mark Thompson

Filmes

Summer of Soul (...ou, Quando a Revolução Não Pôde Ser Televisionada)
Art Direction
Em 1969, no mesmo verão em que ocorreu Woodstock, outro festival musical foi organizado no Harlem, em Nova York, para celebrar a música norte-americana e a história afro-americana. As imagens do concerto Harlem Cultural Festival, filmadas há 50 anos e inéditas até hoje, capturam um empolgante momento cultural nos Estados Unidos, embora subestimado historicamente. Entrevistas com artistas que participaram do evento são intercaladas com as apresentações de, entre outros, Stevie Wonder, Mahalia Jackson e Mavis Staples, Sly & the Family Stone e Nina Simone.
Katy Perry: Getting Intimate
Art Department Assistant
Just in time for her latest album and tour, delve deep into the pop phenomenon that is Katy Perry. From her cherry chap-stick beginnings, transformation after her marriage and now to her newest release, this diva is just hitting her stride as her fourth album just dropped.
The Metropolitan Opera – Verdi: Macbeth
Costume Designer
Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.
The Metropolitan Opera – Verdi: Macbeth
Set Designer
Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.