Adama Ulrich

Filmes

Baseballschlägerjahre - Die Wendegeneration und rechte Gewalt
Writer
After the end of the GDR, thrashings, threats and hunts were part of everyday life. In the years after the reunification of the early 1990s, hatred, racism and violence against foreigners and supporters of leftist ideology broken out in Eastern Germany. Most of those involved was young people. In many cities and towns, the streets and squares belonged to the right-wing scene, organized in neo-Nazi comradeships. Bomber jackets, combat boots and the Hitler salute showed the intimidated rest where they were. The baseball bat was a popular weapon. There were riots, attacks on asylum seekers' homes, mass brawls and hunt downs to those who look or think differently. It doesn't took long and the first deaths were to be mourned. The majority of the Eastern German population looked the other way or even applauded the deeds. A bad omen for the political development of later years. In six film segments, a team of authors take a look at the time reflected in interviews with contemporary witnesses.
Baseballschlägerjahre - Die Wendegeneration und rechte Gewalt
Director
After the end of the GDR, thrashings, threats and hunts were part of everyday life. In the years after the reunification of the early 1990s, hatred, racism and violence against foreigners and supporters of leftist ideology broken out in Eastern Germany. Most of those involved was young people. In many cities and towns, the streets and squares belonged to the right-wing scene, organized in neo-Nazi comradeships. Bomber jackets, combat boots and the Hitler salute showed the intimidated rest where they were. The baseball bat was a popular weapon. There were riots, attacks on asylum seekers' homes, mass brawls and hunt downs to those who look or think differently. It doesn't took long and the first deaths were to be mourned. The majority of the Eastern German population looked the other way or even applauded the deeds. A bad omen for the political development of later years. In six film segments, a team of authors take a look at the time reflected in interviews with contemporary witnesses.
Partisan
Director
Volksbühne am Rosa-Luxemburg-Platz 1992-2017. The end of the GDR gave rise to new artistic freedoms in reunited Berlin. Shortly after the fall of the Wall, rebel director Frank Castorf was appointed artistic director of the Volksbühne. His way of working altered the public’s perception of this theater. The chronological history of the Castorf era between 1992 and 2017 is told here in excerpts from the productions and in a series of conversations conducted on the long sofa in the theater's foyer.
Afro.Germany
Co-Director
What is it like to be a black person in Germany? And what needs to change? DW's Jana Pareigis traveled across the country and met other black people living in Germany, including the artist Robin Rhose, and the rapper Samy Deluxe.