Gerhard Jensen

Farocki’s intriguing and troubling film explores the processes of visual perception and how they affect our understanding of history and society. In a work reminiscent of the writings of Paul Virilio and Michel Foucault, Farocki examines a range of phenomena including aerial reconnaissance photos of the Auschwitz concentration camp.

A portrait of a family in Berlin in the late 1970's, this film focuses on the mother.

A young woman takes the train to Berlin. She wants to kill her friend Wolf, a theater actor. When the woman meets him, he tells her about his weird wife.