Dhiresh Kumar Chakraborty

Burning with a desire to be a journalist, a young man gets his chance when a publisher -- the father of a friend -- suggests that he write a story on the daily life of the people in his house (several families worth of people). The material turns out to be too incohesive and abundant to work into a pointed, thematic article, and just when he is about to give up, his younger brother asks him a simple question: "How many coal burners are there in Calcutta?" This triggers an idea for a story about Calcutta's pollution -- and the aspiring journalist dreams of myriads of burner-toting citizens invading the publisher's home demanding redress. Maybe he is finally on the way to a story that matters.

A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.

The story of an old peasant,Bancharam (Mitra),who defeats the tyrannical landlord Chhakari (Dey).Inheriting a dry patch of land, Bancharam converts it into a fabulous garden.The British magistrate supports him when Chhakari attempts to acquire the garden, after which he dies. Chhakari's son Nakari tries a new stratagem: he promises Bancharam Rs 400 every month provided Bancharam bequeaths his garden to the landowner after his death. Bancharam agrees but amazingly becomes healthier with every passing day, repeatedly promising to die but failing to do so.