Avni's Father
Jay, nascido e criado com princípios burgueses, encara a vida de forma descontraída. Insatisfeito com o estilo de vida de Jay, o seu pai decide casá-lo, na esperança de trazer estabilidade à sua vida. De forma acidental, ele conhece Avni, uma jovem ambiciosa. Avni diz-lhe que não tem interesse em casar-se.
Tejas Walia
Apesar da humilhação pública e da resistência, um empreendedor vende um absorvente íntimo de baixo custo que até as mulheres mais pobres da Índia podem pagar.
Dr. Abhay Kumar
An insomniac university professor fears as his wife has gone missing and is clueless resulting him driving Marooned in the house through the psychological traumas.
Hari Prakash
Ainda desesperado para achar sua neta quase uma década depois do sequestro dela, um avô segue uma nova e perigosa pista.
School Principal
The friendship of four friends turns sour after one of them gets a love letter.
Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.
