Russell Wallace

A short, expressionist documentary, exploring the relationship between Cedar and three Indigenous women who work with it, weave with it, and live with it.

For thousands of years, Indigenous peoples have governed their territories according to their own laws – safeguarding land, air, water and communities to sustain their cultures and economies. Drawing on the lessons learned over two decades of work with Indigenous peoples on Indigenous law-based approaches to land use planning, impact assessment and other aspects of environmental governance, in 2016 West Coast launched the RELAW program (Revitalizing Indigenous Law for Land, Air and Water).

Cedar and Bamboo is a thought-provoking documentary about the unique relationships shared by early Chinese immigrants and Aboriginal peoples on Canada’s west coast. The documentary recounts the life experiences of four descendants of mixed heritage. Set in BC, their stories reveal the difficult circumstances of Aboriginal peoples and early Chinese immigrants.

Cedar and Bamboo is a thought-provoking documentary about the unique relationships shared by early Chinese immigrants and Aboriginal peoples on Canada’s west coast. The documentary recounts the life experiences of four descendants of mixed heritage. Set in BC, their stories reveal the difficult circumstances of Aboriginal peoples and early Chinese immigrants.

Cedar and Bamboo is a thought-provoking documentary about the unique relationships shared by early Chinese immigrants and Aboriginal peoples on Canada’s west coast. The documentary recounts the life experiences of four descendants of mixed heritage. Set in BC, their stories reveal the difficult circumstances of Aboriginal peoples and early Chinese immigrants.

This documentary introduces us to thousands of Indigenous Canadians who enlisted and fought alongside their countrymen and women during World War II, even though they could not be conscripted. Ironically, while they fought for the freedom of others, they were being denied equality in their own country and returned home to find their land seized.

Series of PSAs created by the Aboriginal Film and Video Arts Alliance exploring legacy and the history of self governance in Indigenous societies.

This documentary follows four female First Nations artists—Doreen Jensen, Rena Point Bolton, Jane Ash Poitras and Joane Cardinal-Schubert are First Nations artists who seek to find a continuum from traditional to contemporary forms of expression. These exceptional artists reveal their philosophies as artists, their techniques and creative styles, and the exaltation they feel when they create. A moving testimony to the role that Indigenous women artists have played in maintaining the voice of their culture.

Dana Claxton uses low-grade video equipment to create degraded images that correlate the treatment of the earth with the treatment of women’s bodies. A figure stands enmeshed in cutting barbed wire among ravaged forests and chopped tree stumps. Grainy black-and-white images have been electronically ripped, cut and torn in post-production while repeated images of the artist’s open-mouth scream silently against a volatile red sky. A video work from the early 1990s continues to resonate in our contemporary moment—and with decades of missing and murdered Indigenous women across exploited lands.

Documentary short detailing the American soldier's part in preserving the fundamental ideals of this nation.