Alexey Strelov

Depois que o terrível fantasma da Rainha de Espadas ressurge, os alunos de um antigo colégio interno viram as próximas vítimas do seu banho de sangue. O terror começa a partir do momento em que eles recitam antigos encantamentos no banheiro do local para conquistar tudo o que desejam — mesmo que o preço seja suas almas.

Five unusual short stories in the almanac from Russian directors. Horror about the mystical school from Alexander Domogarov, Jr. (“Let the children go”). Erotic thriller "Ear Ring" with Lukerya Ilyashenko. Black comedy about the forest walk of two friends "Mushrooms and fish." Witty kinonovella "Che" on a spontaneous trip to St. Petersburg. The post-New Year story with Olga Sutulova and Marina Vasilyeva about finding the missing guy named Kostik.

A strict elderly teacher suddenly begins to seem (or not to appear?) That the students in her class are no longer children, but terrible monsters, pursuing their mysterious goals.

Four stories of young men's encounters with army recruitment commissions. Ardent pacifist Roman is sent through a series of humiliating court trials. Losha and Viktor endure long and condescending deliberations that undermine their personalities. Finally, LGBT movement veteran, Johnny is bluntly rebuked and handcuffed. All are put to test by a bureaucratic machine that doesn't sympathize with those who dispute the purposiveness of military service. The conscript enters a room packed with officials. The officials have to listen to his convictions that go in conflict with the idea of military service. It's for the officials to decide whether the conscript leaves the room as a soldier or as a civilian.

She was predicted the future of russian Coco Chanel of 21st century – untill her car accident. Consequences of a strong trauma fenced Nastya off from the whole world. But she doesn't intend to change the former way of life, to go on compromises in search of the life’s partner or to reduce the level of her claims.

In spring, as soon as the ice descends from the Siberian rivers, Plavpoliklinika goes on a semi-annual route. Doctors are taking medical care to remote Russian villages. Ahead of six months of testing the climate and living conditions, separation from the family and meeting people from the outback.

Many men in the world in order to support their families have to leave families. Our characters go J the North as shift w3ockers and produce gas. Dimity is ambitious engineer in the middle of his career. Alex is a plumber. He does not pump gas, he pinups feces, but he's old polar wolf. Andrew3, young guy, comes to the North for the first time. Each of our protagonists has his challenges and problems and family story lines. Each of them makes his mean's choice and pay for it. Their stories develop in front of our eyes.

Many many words have been written and a few ingenious TV documentaries have been filmed about the great Russian rock band Auktyon ("Аукцыон"), which recently celebrated 30 years of playing music. Everything is completely different in the case of the film Encore: it took seven years for the director, Dmitry Lavrinenko, to make it; he needed just that amount of time to capture the wayward grace still preserved by Fyodorov, Garkusha, Ozersky and their associates. If you look behind the powerful music facade, you find not a story of a band but chronicles of a voyage aimed at incredible, incomparable music. Encore shows how the songs which are now known by heart were composed; it also shows things generally left aside: pieces of everyday life, tour diaries, conversations, including the key phrase: "You should not look at the liberty too much, you might feel dizzy."

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Film-portrait of a village self-taught artist Polikarp Sudomoikin. He lives in a surpassingly beautiful place, a village Bichura in Zabaikalie and paints his quaint pictures on a hunch. Former carpenter Sudomoikin started painting only after the retirement. Naked beauties filled with love and bliss surrounded by wild animals, birds and clean pure waters are looking down from his canvases. The connoisseurs compare Polikarp Sudomoikin with Pirosmani, one of the best artists of naive panting.