Vadim Krasnitsky

Kira is a 30-year-old successful architect living in the illusion of absolute choices while being obsessed with constructing the ideal Moscow. She is used to living life according to her own rules, but she has to face her fear of the future and inability to love. An unexpected tragedy will lead Kira to face her past with her family, start life from the scratch, and become a mother.

Anya is a young mother who has tried many times in vain to save herself and the child from the growing aggression of her husband. Finding herself in a desperate situation, she learns that there are dark mystical forces that can come to the aid of people like her. Anya invokes the otherworldly sisterhood with a special rite of blood and fire, but now she must decide whether she is ready to go this way to the end.

In the regional centre Kuznetsky the mayor has been killed in his office. The murderer is Dimur Kavsadze, in charge of commercial construction work for the city administration. A squall of public concern beleaguers the city. Alexander Danilin is an undercover curator, an intermediary between the business and the authorities; he tries to eliminate trouble and return life to normal. The cause of the tragedy was a construction project, which wrapped itself around Kuznetsky like a tumour, and which was a source of profit for the authorities and the local builders. The construction “devours” free land, the souls of people and even what seems beyond the law of profit: the family. Neither the death of people, nor common sense can stop the construction…

Com o casamento morno, Lena começa a suspeitar do comportamento do marido após ler uma mensagem em seu celular. Convencida de que ele a trai, Lena passa a procurar por encontros casuais com outros homens.

The city of Vyshny Volochyok: broken roads, snow and fog. The car service station in the suburb of the town where Olya and Vadim live and work, and love each other. Both are well in their thirties, they are simple and serious people, they share the ups and downs in their lives, until a third, superfluous party intrudes: the Internet.

Mexico. 1940. The agent of the People’s Commissariat of Internal Affairs (NKVD) Ramon Merkader comes to the house of Leon Trotsky. Under a long leather raincoat he hides an ice pick. He is here to kill the unsuspecting Russian revolutionary. Moscow. 2019. The modest honours pupil Yura helps his schoolmate Masha in history. They just study Merkader’s murder of Trotsky. The uninhibited Masha decides to tempt nerdy Yura. The director of studies comes into the classroom in the most intense moment. Afterwards the school principal calls in the class teacher of Masha and Yura for a talk. He considers that such an irresponsible teacher has no place at the school and is set to dismiss her. The school bell rings. As if by magic, the endings of these three stories intertwine, giving rise to a new surprising reading of the known events.

Egor Korshunov (40) is a Siberian forest guard who works in a local environmental company, fighting fearlessly against poachers in taiga. Egor is a great family man, respected by his fellow villagers. He and his wife Natalia are expecting a second child. Unexpectedly, Egor finds out that he has terminal cancer and has only two months left to live. No traditional medicine or shamanic magic can save Egor. Finally, left with no other options, he decides to take the last desperate step. He attempts to completely change his identity in order to fool the oncoming death, just like Zhamba the drake, the hero of a legendary ancient Siberian epos, did.

Sasha e Petya são dois jovens músicos nos seus vinte e poucos anos que levam uma vida inconsequente na Moscou moderna: festas barulhentas, drogas, altos e baixos, relacionamentos instáveis e sentimentos conflituosos. Abandonados em mundo que valoriza amor, amizade, família e oportunidade, eles se sentem solitários, desconectados, cheios de dúvidas e com a sensação de que estão se corroendo por dentro. De repente, ocorre um evento em suas vidas que exige que ambos olhem para si mesmos com mais honestidade do que nunca.

The tragic and ironic reasoning about the fear of growing-up is shown through the prism of the personal relations of two protagonists. In a restaurant that is appropriate for the occasion a young man proposes to the girl he loves — and is unexpectedly turned down. The protagonists stay together for a few more hours, trying to understand what happened and come to grips with their selves. Gradually they get closer and closer.

A film about love and loneliness; about family ties and responsibility, hope and its illusoriness.

Pavel Zuev has to start his life over from darkness after he looses his sight. The young man has to learn again how to eat, walk, wash himself, do simple housework, and even how to look out of the window without seeing anything. All connections to his previous life are broken. In this new life blind Zuev encounters an exceptional woman capable of seeing more than other people. Her name sounds symbolic – Nadezhda (translates as 'hope' into English) and she works at the local hospital. Nadezhda will help Zuev find his strength and a new sense of existing. These equally strong but otherwise different people spend together what, perhaps, will be the best days of their lives; but everything has an ending.

A practical joke ends up very wrong in Nigina Sayfullaevas curious youth drama. Two seventeen year old Moscow girls, Olya and Sasha, are visiting Olya's long lost father who lives in Crimea, when they decide to switch places and pretend to be the other person to the father. Little do they know that their joke comes with consequenses that will change their lives forever.