P. Susheela
Nascimento : 1935-11-13, Vizianagaram, Madras Presidency, British India
História
Pulapaka Susheela is an Indian playback singer associated with the South Indian cinema for over six decades. She has been recognized by both the Guinness Book of World Records and the Asia Book of Records for singing most number of songs in Indian languages. She is also the recipient of five National Film Award for Best Female Playback Singer and numerous state awards. Susheela is widely acclaimed as a singer who defined feminism in South Indian cinema and is well known for her mellifluous vocal performances for over 50,000 film songs[8] across South Indian languages.
The song "Paal Polave" from Tamil film Uyarndha Manidhan brought her the first ever award at the 16th National Film Awards, by winning her the National Film Award for Best Female Playback Singer,National Award for female playback singing was introduced for the first time in 1969 and Smt P.Susheela was the first recipient also making it the first Tamil film to win a National Award under that category. She is fondly called "Gana Kokila" and "Gana Saraswathi". She is also considered as one of the rich voiced singers whose pronunciation of the syllables to be more clear and precise in any of the languages she sang. In a career spanning more than six decades, she has recorded nearly 40,000 songs in various Indian languages including Telugu, Tamil, Kannada, Malayalam, Hindi, Bengali, Oriya, Sanskrit, Tulu and Badaga. She has also sung for Sinhalese films. Her mother tongue is Telugu. She can also speak Tamil, fluent Hindi, and a little Kannada.
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Uma rapariga de livre espírito sofre o choque da sua vida quando se vê nua num prédio abandonado após uma festa até a altas horas da noite.
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Senapathy, a veteran freedom fighter, is angry. He is angry against the rampant corruption at every level of the bureaucracy. He will clean it up at any cost.
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Two musical brothers look for love, only to have their quest end in tragedy for one.
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An assassin who undergoes plastic surgery and becomes a member of the Indian Army, and a hero for them while revisiting his past.
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Velu Naicker, who witnesses the brutal murder of his father, kills a corrupt policeman and escapes to Mumbai, only to become a gangster.
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Illale Devatha (transl. Wife is a Goddess) is a 1985 Telugu-language drama film, produced by N. R. Anuradha Devi under the Lakshmi Films Combines banner and directed by Tatineni Prasad. It stars Akkineni Nageswara Rao, Raadhika, Bhanupriya and music composed by Chakravarthy. The film is a remake of Singeetam Srinivasa Rao's debut Kannada film Haalu Jenu (1982).
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A young man hates his father for abandoning his mother, which led to her death. But after knowing the truth, he avenges his mother's death along with his look alike step brother.
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To protect her dignity, Nazima kills Mohan, who intended to assault her. Out of anxiety and fear, she conceals the matter from others. But she realizes that it is not easy.
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Adavalle Aligithe (transl. If Ladies Show Sulk) is a 1983 Indian Telugu-language comedy film produced by Akkineni Srinivasa Rao and Yarramshetty Anjineeyulu under the Vijaya Chitra Pictures banner and directed by Vejella Satyanarayana. It stars Gummadi, Nutan Prasad, Rajendra Prasad, Ranganath, Sai Chand, Devika, Rajyalakshmi in the lead roles and music composed by Krishna-Chakra.
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Friends Shambu and Premkumar fall in love with the same girl, Shobha, and are unaware about it. Matters become more complex when another person also begins to woo her.
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After rejection from Valli, an uneducated Kannan vows to gain literacy and win over Valli's love. Issues evolve when people misunderstand Kannan's relationship with his teacher Devaki.
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Yajulu is a man who believes fiercely in customs and rituals. Without the consent of his daughter Hema, he gets her married to Gaurinatha, who in turn realises that she loves Murali.
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Yedanthasthula Meda (transl. Seven Storied Building) is a 1980 Telugu-language drama film, produced under the Jhansi Enterprises banner and directed by Dasari Narayana Rao. It stars Akkineni Nageswara Rao, Sujatha, Jaya Sudha and music composed by Chakravarthy. The film was remade as Hindi movie Pyaasa Sawan (1981) and in Tamil as Maadi Veettu Ezhai (1981).
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Coming of age film about three friends who live in a small village.
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Krishna refuses to accept Kamini's love for him. But when Kamini dies and her ghost possesses Krishna, his wife, Gayatri, tries to save him from this situation.
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Daana Veera Soora Karna (Telugu: దాన వీర శూర కర్ణ) is a 1977 Telugu Hindu movie produced and directed by N. T. Rama Rao. He played three pivotal roles: Karna, Duryodhana, and Krishna. One of his sons, Balakrishna, played a short role of Abhimanyu, son of Arjuna, who in the later years became one of the popular movie actors in Telugu films. Another son, Hari Krishna, played the role of Arjuna.
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Chandran, a farmer, leaves his village when he is falsely accused of a murder. He faces many challenges when he goes to an unknown city for a living.
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Vocals
Thota Ramudu is a Telugu film released on October 31, 1975. Produced by G.D.Prasad Rao and Korada Suryanarayana under the banner of Sri Dasarathy and Chalam Bombayns, the film was directed by B.V.Prasad. Chalam, M.Prabhakara Reddy and Thyagaraju are the main cast of the film and Chellapilla Sathyam has composed the music.
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Sundaram, a member of a musical band, goes to chennai to earn money for his sister's marriage but his look-alike brother Ranjit, tricks him. Ranjit carries out his illegal trade without any trouble.
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Mangalya Bhagyam is a 1974 Telugu family-drama film directed and produced by B. Padmanabham. The film starred Bhanumathi, Jayanthi, and Subha, and Sreedhar in the lead roles. M. Muthu composed the film's songs.
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Ponnapuram Kotta is a 1973 Malayalam language film starring Prem Nazir, K. P. Ummer, Vijayasree and Vijayanirmala in the lead roles.
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On his pilgrimage to a temple to immerse the ashes of his mother in the sacred river, Rakhavan befriends a tribal family. He comes across the lives of the tribal people and their struggle.
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A conservative village girl Rosamma (Sheela) is exploited by various men including her husband. She goes to Bombay where she starts an escort service and ends up being a person of influence and power.
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Ramu, a postman, gives shelter to a girl, who has escaped from the hands of a few Naxalites. However, problems arise when his fiance's parents doubt him to be a Naxalite as they find a gun with him.
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Is an emotionally charged tale that depicts the transformation of an alcoholic after his life is touched by true love.
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A young man collaborates with his cousin and friend to steal money from his stingy stepmother.
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Conflict arises between two brothers after the death of their father and unknowingly they become rivals.
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A rich brother and sister's relationship grows dangerously strained as they marry into a poor family
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A man saved from death by God and told how God help others.
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Veettuku Veedu is a 1970 Indian Tamil-language comedy film, directed by C. V. Rajendran and produced by S. Suryaprakash, Rajan, R. Renganathan and R. Parthasarathy. The film's script was written by Chitralaya Gopu. It stars Jaishankar, Lakshmi, R. Muthuraman, Vennira Aadai Nirmala and Nagesh in lead roles, with V. K. Ramasamy and Major Sundararajan playing supporting roles. Soundtrack was composed by M. S. Viswanathan. The 2001 Tamil film Viswanathan Ramamoorthy is said to be based on this film. Veettuku Veedu is based on the play Thikku Theriyatha Veettil.
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A murder-mystery, in which the friend of a wealthy, elderly couple tries to bring about a reconciliation between them on the one hand, and their their estranged relatives on the other.
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Alibaba 40 dongalu (1970) is a Telugu film based on Ali Baba, starring N T Rama Rao and Jayalalitha. The film is a remake of 1956 Tamil film Alibabavum 40 Thirudargalum which inturn is based on Ali Baba and the Forty Thieves.
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The story of a young man who teaches a lesson to his wife to make her understand the value of a mother's love.
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Meena marries her brother-in-law after her sister dies, even though she is in love with Rajendran. Years later, she meets Rajendran and is forced to confront her past.
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Sreenivasan gets disfigured in a laboratory accident and is shunned by people once close to him. He marries Ragini, a beautiful woman, but has doubts that she is a demigoddess.
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A young woman, who after being cured of leprosy, is disapproved by her family and society. However, she then makes it her mission to educate the illiterate society about the disease.
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The respectable college teacher Rajan (Nazir) marries Sindhu (Sheela), the orphaned inmate of a home for destitutes. The feudal conservative hypocrisies of the hero’s family are graphically criticised: Rajan’s cousin Chandran admits he once had sex with Sindhu, and Rajan’s snooty brother, the doctor Jayadev, fathered Sindhu’s daughter Bindu. Sindhu further confesses on her wedding night that she suffers from venereal disease.
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Zamindar Janardhan Rao, a paterfamilias, holds high esteem in society. One of his sons, Bachi, is a vagabond and malicious, his misdeeds increasing day by day. After Janardhan Rao cuts his allowance, Bachi tries to make a theft, and his father collapses with a heart attack after obstructs his way. Before dying, he reveals the existance of a hidden treasure of their family hierarchy.
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When the minister of Palnadu opens the temple doors for all the castes in the kingdom, disputes arises in the kingdom leading to war.
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Aathma Bandhuvu is the story of Rao Bahadur Chandrasekharam's (SVR) family and an adopted orphan Ranga (NTR) who considers the family as his everything. Chandrasekharam loses all his wealth after a crash in share prices and his sons show their true colors by not standing by him. Ranga is banished from the house but proves his worth when compared to blood relations.