Neste segundo filme da Trilogia do Samurai de Hiroshi Inagaki (baseado na obra literária de Eiji Yoshikawa) Miyamoto Musashi parte em busca de seu aprimoramento como guerreiro, mas acaba encontrando dificuldades muito maiores do que o mero cruzar de espadas.
Jirocho and his henchmen befriend Ishimatsu, a wanderer in Mishima.
Ryutaro Otomo as the Edo magistrate Umon Kondo is out to solve a crime that centers around the murder of a jail guard & the escape of a criminal who is later himself killed. His dying words in Umon's arms were, "I didn't kill the guard." The murdered criminal had been a safe-cracker & only his girlfriend knows where he hid a fortune. She is kidnapped, so the plot gets thicker & thicker.
A dashing edition with fights , love, and laughter, in which the sorrows and joys of the guiltless world are colored by the guiltless travel crow, Ayame 's Gantaro, with the turbulent and exciting Wakizashi Hitoshi .
Early film by Eiichi Kudô.
Master swordsman, Tsukue Ryunosuke is confronted by the families of his victims. Will justice be served for the lost innocent lives? The conclusion of the famed Jidaigeki series is an amazing film, with a completely different perspective on the story from the later versions. While the international audience is more familiar with the “Sword of Doom” and “Satan’s Sword” versions of Daibosatsu Toge (The Great Bodhisattva Pass), the “Souls in the Moonlight” trilogy casts an entirely different light on Ryunosuke and his motives. Can this brutal killer be brought to justice, or is living his life as a blind wanderer a more terrible fate? His sword skills have not diminished, nor has his desire to kill!
