Danis Tanović

Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

Set in Sarajevo in May 2021, the city's famous Old Town tries to recover after a difficult pandemic year. When a visitor from Zagreb comes looking for the best kebabs in town, a harmless gesture causes the disintegration of the business and private lives of several people.

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis Tanovic and Damir Sagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life.

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis Tanovic and Damir Sagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life.

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis Tanovic and Damir Sagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life.

Surrounded by minefields and destruction from the Bosnian war and not welcome by everyone, thousands of migrants are still stranded in the northern part of the war-torn country. Their flimsy tents set up in the woods or abandoned socialist era buildings offer no protection from the harsh Bosnian winter. The food, clothes, firewood and communication are problems but nothing compared to the serious and constant violation of basic human rights these migrants are subjected to on a daily basis. In this visually driven film, Danis Tanovic and Damir Sagolj show the brutality and inhumanity of the everlasting story of people "on the move" trying to reach the EU, where they are hoping for a better life.

Um nova-iorquino tem sua vida conturbada quando descobre que sua filha recém-casada foi brutalmente assassinada. Como ele esmiuça o caso, crimes semelhantes são relatados por toda a Europa com cada morte acompanhada por um cartão postal enviado a um jornalista local. Como ele segue a trilha das pistas, uma jovem repórter recebe o próximo cartão postal.

Os filhos de Nikola são tirados dele depois que os serviços sociais decidem que ele é muito pobre para oferecer um ambiente de vida decente. Ele sai a pé para apresentar uma queixa em Belgrado.

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

Sarajevo on 28 of June, 2014. At the Hotel Europa, the best hotel in town, the manager Omer prepares to welcome a delegation of diplomatic VIPs. On the centenary of the assassination that is considered to have led to World War I, an appeal for peace and understanding is supposed to start from here. But the hotel staff have other worries: having not been paid for months, they are planning to go on strike. Hatidza from the hotel laundry is elected strike leader even though her daughter Lamija, who works in reception, is firmly against industrial action. Meanwhile, in the sealed-off presidential suite, a guest from France rehearses a speech. Elsewhere, a television reporter conducts interviews about war and its consequences. Was Gavrilo Princip, the 1914 assassin, a criminal or a national hero? What long shadow does his deed cast into the present?

Ayan, a pharmaceutical salesman in Pakistan, takes on the multinational health care corporation he works for after he realizes they knowingly marketed a baby formula that's responsible for the death of hundreds of babies everyday.

Ayan, a pharmaceutical salesman in Pakistan, takes on the multinational health care corporation he works for after he realizes they knowingly marketed a baby formula that's responsible for the death of hundreds of babies everyday.

Uma entrega equivocada no famoso sistema de entrega de marmitas de Mumbai (Dabbawallahs de Mumbai) conecta uma jovem dona de casa a um estranho no crepúsculo de sua vida. Eles constroem um mundo de fantasia juntos através de anotações na lancheira. Gradualmente, essa fantasia ameaça dominar sua realidade. (e 12 - Estimado 12 Anos)

Senada is 31 and she lives in Poljice neighborhood in Lukavac municipality with her partner and two daughters. She is pregnant with her third child for approximately five months. Since she didn’t have health insurance, she does not go to the doctor’s. When she started bleeding, she goes to the hospital. The doctor told Senada that she needs an emergency surgery and she needs to pay 500 EUR. Without a health insurance card and without money, Senada returns home.

Senada is 31 and she lives in Poljice neighborhood in Lukavac municipality with her partner and two daughters. She is pregnant with her third child for approximately five months. Since she didn’t have health insurance, she does not go to the doctor’s. When she started bleeding, she goes to the hospital. The doctor told Senada that she needs an emergency surgery and she needs to pay 500 EUR. Without a health insurance card and without money, Senada returns home.

Being away for many years, Amir returns to Bosnia and Herzegovina in order to take custody of his parent's remains. They were murdered during the war but their bodies haven't been recovered so far. Amir also decides to visit the place of his birth. There, besides a ruined house, he also finds a forgotten friend and those who know about him more than he knows about himself.

Being away for many years, Amir returns to Bosnia and Herzegovina in order to take custody of his parent's remains. They were murdered during the war but their bodies haven't been recovered so far. Amir also decides to visit the place of his birth. There, besides a ruined house, he also finds a forgotten friend and those who know about him more than he knows about himself.

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

Bosnia and Herzegovina, 1991. After the fall of the communists, Divko Buntić, who has lived in exile in Germany for the past twenty years, returns to the village where he grew up, intent on reclaiming ownership of his family home, driving a swanky Mercedes and accompanied by his young bride; by Bonny, his lucky black cat; and with pockets full of money.

Mark e David são experientes fotojornalistas de guerra que buscam imagens no Curdistão, uma região considerada muito perigosa. Mark decide ficar mais alguns dias no campo de guerra, em busca de uma foto exclusiva, enquanto David só quer voltar para casa e reencontrar sua esposa. Alguns dias depois, quando Mark retorna ferido para sua casa, ele fica chocado ao ouvir que David nunca chegou em casa. Cansado, confuso, obcecado pelos fantasmas da guerra e incapaz de voltar a sua antiga vida, com sua esposa Elena (Paz Vega), Mark preocupa a todos e tenta descobrir o que realmente aconteceu com seu amigo David.

Mark e David são experientes fotojornalistas de guerra que buscam imagens no Curdistão, uma região considerada muito perigosa. Mark decide ficar mais alguns dias no campo de guerra, em busca de uma foto exclusiva, enquanto David só quer voltar para casa e reencontrar sua esposa. Alguns dias depois, quando Mark retorna ferido para sua casa, ele fica chocado ao ouvir que David nunca chegou em casa. Cansado, confuso, obcecado pelos fantasmas da guerra e incapaz de voltar a sua antiga vida, com sua esposa Elena (Paz Vega), Mark preocupa a todos e tenta descobrir o que realmente aconteceu com seu amigo David.

Sophie (Emmanuelle Béart), Céline (Karin Viard) e Anne (Marie Gillain) são irmãs. Sophie, a mais velha, mora com o marido em Paris. A caçula Anne estuda arquitetura e mantém uma relação passional com seu professor, Frédéric (Jacques Perrin). Céline é solteira e vive para cuidar da mãe inválida, até que um misterioso homem surge em sua vida. Um incidente ocorrido na infância das três fará com que elas se reúnam para discutir o passado.

Sophie (Emmanuelle Béart), Céline (Karin Viard) e Anne (Marie Gillain) são irmãs. Sophie, a mais velha, mora com o marido em Paris. A caçula Anne estuda arquitetura e mantém uma relação passional com seu professor, Frédéric (Jacques Perrin). Céline é solteira e vive para cuidar da mãe inválida, até que um misterioso homem surge em sua vida. Um incidente ocorrido na infância das três fará com que elas se reúnam para discutir o passado.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

Filmmakers from all over the world provide short films – each of which is eleven minutes, nine seconds, and one frame of film in length – that offer differing perspectives on the 9/11 terrorist attacks.

Durante a Guerra da Bósnia, dois soldados, um sérvio e outro bósnio, acabam isolados em uma pequena trincheira, junto com um terceiro soldado, que está caído sobre uma mina - sendo que ninguém pode matar ninguém ali. Todas as partes do conflito ficam completas com a chegada de mais duas pessoas: um representante da ONU, para tentar resolver o impasse, e uma jornalista, para jogar lenha na fogueira.

Durante a Guerra da Bósnia, dois soldados, um sérvio e outro bósnio, acabam isolados em uma pequena trincheira, junto com um terceiro soldado, que está caído sobre uma mina - sendo que ninguém pode matar ninguém ali. Todas as partes do conflito ficam completas com a chegada de mais duas pessoas: um representante da ONU, para tentar resolver o impasse, e uma jornalista, para jogar lenha na fogueira.

Durante a Guerra da Bósnia, dois soldados, um sérvio e outro bósnio, acabam isolados em uma pequena trincheira, junto com um terceiro soldado, que está caído sobre uma mina - sendo que ninguém pode matar ninguém ali. Todas as partes do conflito ficam completas com a chegada de mais duas pessoas: um representante da ONU, para tentar resolver o impasse, e uma jornalista, para jogar lenha na fogueira.

Tanovic himself a refugee from Sarajevo interviews a Bosnian refugee in Brussels their new adoptive country Belgium.

A window washer in London lives an existence where he feels that people see right through him.