Herself
Although his influence on the history of photography has been nothing short of profound, Paul Strand (1890-1976) remains a curiously shrouded and paradoxical figure. While passionately devoted to humanity, he was happiest in the isolation of the dark room. A pioneer filmmaker (Manhatta, Native Land, Heart of Spain, The Wave), he found the process of collaboration painful. Strand established himself in New York in the 1920's as a master of light and structure, with his now famous photo of Wall Street inspired by the forms and movement of European modernist painters such as Matisse and Picasso. His closeup portraits and landscapes were equally profound. John Walker's Strand.
Nurse Grap
Anna Hart sempre foi uma criança estranha, um gênio, um ladra de lojas, com medo de luzes tremeluzentes e com estranhos sonhos proféticos. E o mais estranho é que Anna vê uma cópia sua na televisão em uma noite. À medida que a investigação da outra Anna, Anna Smithson avança, ela começa a conhecer a verdade. A verdade sobre uma mulher chamada Anna Zimmerman que está morta há vinte anos e o mais importante, a verdade sobre si mesma.
Mrs. Tuggle
Lynn Morley, a girl with quite an imagination, believes that her older sister, Judith, is being trained as a witch by their neighbor, Mrs. Tuggle. No one else seems to notice Judith's strange new behaviors and habits, like reading tarot cards and spending time with a mysterious young man whom she raised from the lake near their house. Convinced that she alone must stop her sister from falling completely under Mrs. Tuggle's influence, she and her best friend Mouse attempt to gather evidence. Just as Lynn realizes her young brother may be in danger, their mother is called away unexpectedly and Lynn and her siblings are left in Mrs. Tuggle's care. Will Lynn be able to break the spell before her little brother becomes Judith's victim? This film was originally broadcast in chapters during several episodes of the television show BIG BLUE MARBLE. It was later shown on cable networks as a movie.
