Karan Arjun Singh

Tell It Like A Woman comprises of seven segments that are directed by female directors from different parts of the world and shot in Italy, India, Japan, and the U.S. Each segment is an inspirational and empowering story about women, by women, for everyone.

Set in the meditative quietude of a Himalayan village, Tathagat is a poetically shot tale of guilt. Following the journey of a monk questioning his renunciation, this philosophical drama takes a thought-provoking look at the relationship between our childhood memories and adulthood perplexities.

Madly explores love in all its permutations in six short films from a vibrant group of filmmakers representing Japan, Argentina, the UK, the US, India, and Australia. All forms of love are on display in this anthology. And all manners of feelings expressed from jubilance to depression are done so strongly.

Set in the picturesque Himalayas, Hansa attempts to depict the trials and tribulations faced by the villagers who reside there. The movie is seen from perspective of a little boy, Hansa and his sister, Cheeku’s eyes. Their father has mysteriously disappeared and a lot of the responsibility falls on Cheeku who has to prevent her house from getting sold and is at the receiving end of a powerful villager’s lecherous advances while little Hansa is too restless and distracted to pay attention to all the trouble his sister is facing.

Duas histórias de amor diferentes passadas em dois períodos: 1965 e 2009. A primeira, "Love Aaj", fala sobre Jai e Meera, um casal moderno dos dias de hoje que não acredita nas histórias românticas dos livros, mas decide aceitar as coisas como elas são quando a vida os colocam em direções diferentes. A segunda, "Love Kal", mostra Veer Singh, homem que fica cego de amor quando conhece Harleen e faz uma viagem de vários quilômetros de distância apenas para poder ficar mais perto dela.O filme mostra que o amor como é essencialmente não muda,apesar de a maneira como é visto mudar com o tempo.