Editor
After learning kinetic art in France, Matilde Pérez (1916-2014) returned to Chile in 1961 to practice this trend but found herself ahead of her time. The testimonies of specialists and friends to Matilde generate a provocative speech about a culturally deficient country, narrated through the rescue of the work and the life story of an artist who questioned the established and was condemned to isolation.
Director of Photography
After learning kinetic art in France, Matilde Pérez (1916-2014) returned to Chile in 1961 to practice this trend but found herself ahead of her time. The testimonies of specialists and friends to Matilde generate a provocative speech about a culturally deficient country, narrated through the rescue of the work and the life story of an artist who questioned the established and was condemned to isolation.
Screenplay
After learning kinetic art in France, Matilde Pérez (1916-2014) returned to Chile in 1961 to practice this trend but found herself ahead of her time. The testimonies of specialists and friends to Matilde generate a provocative speech about a culturally deficient country, narrated through the rescue of the work and the life story of an artist who questioned the established and was condemned to isolation.
Director
After learning kinetic art in France, Matilde Pérez (1916-2014) returned to Chile in 1961 to practice this trend but found herself ahead of her time. The testimonies of specialists and friends to Matilde generate a provocative speech about a culturally deficient country, narrated through the rescue of the work and the life story of an artist who questioned the established and was condemned to isolation.
