Additional Editing
Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."
Sound Designer
Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."
Score Engineer
Artist Shirin Neshat explains the film: "I was interested in how female singers are universally treated as objects of desire. At first, Cate looks gorgeous, but when she sings it's a [masculine] voice. The audience heckles her, and she becomes confrontational. When the music comes back on, she does a seductive dance but her face is evil. For her final act of subversion, she takes off her hair and makeup and walks away. That part was Cate's idea. Fuck the beauty."
Writer
Tradition still abides in the ADK - the Adirondacks region of upstate New York - as nine friends gather for their annual all-night hog roast even as their community crumbles around them. But the arrival of Carter, a slick rock 'n' roller from the City, will expose the simmering tensions within the group and ignite an age-old feud.
