Juan Renau

Filmes

Partes del todo
Director of Photography
Partes del todo
Director
Private Fiction
Director of Photography
Over several days and nights, an actor and an actress read the correspondence between Torcuato and Kamala, the film director's parents, he from Argentina, and she from India. The letters, encompassing the decades from the 50s to the 70s, refer to love and idealism, record world travels, talk about socialism and psychoanalysis, about pain and broken dreams. Their reading reveals a relationship between the actors, with similarities and differences. Meanwhile, with his own daughter, the director sets about solving the puzzle of the family memory, an intimate twentieth-century tale.
Lionel
Director
Dogs. With them there is always more than meets the eye. Ask Lionel Falcon. He knows a thing or two about dogs. He’s a photographer, but not your average one. Lionel is in a very particular line of work. He photographs dogs for a living. And he takes his job seriously. Photo shoots and photo calls. But leave it to Lionel: he always comes up with a new idea that makes both owner and dog extremely happy. Devoted to the idea that you need to be a professional no matter what you do, he always doublechecks his settings, the lights, and his work tools. Everything is under control, because every dog has its day and obviously Lionel needs to have his dogs.
Incendio/Rescate
Cinematography
Three firefighters try not to fall asleep while waiting for a fire to make them leave the barracks. "Incendio / Rescate" watches closely, in an almost dreamlike way, these characters who spend their time waiting for the opportunity to become heroes.
Incendio/Rescate
Director
Three firefighters try not to fall asleep while waiting for a fire to make them leave the barracks. "Incendio / Rescate" watches closely, in an almost dreamlike way, these characters who spend their time waiting for the opportunity to become heroes.
Yo y Maru 2012
Editor
“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.
Yo y Maru 2012
Cinematography
“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.
Yo y Maru 2012
Producer
“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.
Yo y Maru 2012
Writer
“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.
Yo y Maru 2012
Director
“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.
El cielo de los animales
Director of Photography
El cielo de los animales
Director