Soeur
Set in mid-19th-century France, this short follows Alexina, a trainee school teacher in a young girl’s convent, who suffers unbearable pains. After examination by a doctor who questions Alexina’s gender and subsequently decides that masculinity prevails, Alexina works to find their own path forward.
The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?
