Dmitry Venkov

Dmitry Venkov

Nascimento : 1980-01-02,

História

Dimitry Venkov is a graduate of the Rodchenko Moscow School of Photography and Multimedia, Moscow, and holds an MA in Film Studies from the University of Oregon, Eugene. His works have branched out into artistic, film, and academic institutional contexts. In 2012 he received the Young Artist Kandinsky Prize for his film Mad Mimes (2012), and in 2012 and 2014 he was nominated for the Moscow Innovation Prize.

Perfil

Dmitry Venkov

Filmes

The Hymns of Muscovy
Editor
The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.
The Hymns of Muscovy
Screenplay
The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.
The Hymns of Muscovy
Director
The film is a trip to the planet Muscovy - an upside-down twin city of Moscow in space. As the title of the work suggests, the journey also takes us back in time. Gliding over the surface of the planet, we look down and see historic architectural styles fly by - the exuberant Socialist Classicism, aka Stalinist Empire, the austere and brutish Soviet Modernism, and the hodgepodge of contemporary knock-offs and revivals of the styles of the past. An essential companion to this journey through time and space are Hymnic Variations on the Soviet anthem.
Krisis
Director
Dimitri Venkov’s Krisis is based on a Facebook discussion on December 8, 2013, the day on which pro-European demonstrators in Ukraine started to demolish statues of Vladimir Lenin. The film reenacts debates between Russian and Ukrainian artists during the protests, revealing deep aesthetic, historical, and political divisions.