Patrick Müller
Nascimento : , Frankenberg
Cinematography
The transition from day to night. It magically casts a spell over us, we glide into it like water and enjoy it: despite all its dangers, it is the night we love.
Editor
The transition from day to night. It magically casts a spell over us, we glide into it like water and enjoy it: despite all its dangers, it is the night we love.
Director
The transition from day to night. It magically casts a spell over us, we glide into it like water and enjoy it: despite all its dangers, it is the night we love.
Cinematography
In Emily Brontë's world, a young woman is under a spell of blind forces of compulsion acting to draw her towards an unnamed darkness from which she cannot escape.
Editor
In Emily Brontë's world, a young woman is under a spell of blind forces of compulsion acting to draw her towards an unnamed darkness from which she cannot escape.
Director
In Emily Brontë's world, a young woman is under a spell of blind forces of compulsion acting to draw her towards an unnamed darkness from which she cannot escape.
Editor
Strange blossoms, sunken pathways, déjà vus: A hike through H.P Lovecraft's most personal garden.
Director
Strange blossoms, sunken pathways, déjà vus: A hike through H.P Lovecraft's most personal garden.
Director of Photography
Strange blossoms, sunken pathways, déjà vus: A hike through H.P Lovecraft's most personal garden.
Director
When neon signs become larger than life, only blinking helps. A surreal night in March 2019 in Las Vegas.
Director
A poem, a kaleidoscope and life itself.
Director of Photography
In Baudelaire's poem, the sea becomes the mirror of man: wild, abysmal and mysterious.
Editor
In Baudelaire's poem, the sea becomes the mirror of man: wild, abysmal and mysterious.
Director
In Baudelaire's poem, the sea becomes the mirror of man: wild, abysmal and mysterious.
Voice
In Baudelaire's poem, the sea becomes the mirror of man: wild, abysmal and mysterious.
Director
Tristan Corbière's depiction of a dead fisherman's family life, told through pictures of the Mediterranean.
Cinematography
In his tale of passionate love and heartbreaking grief, Swedish poet Gustaf Fröding (1860-1911) explains the drowning of the beautiful Ingalill.
Editor
In his tale of passionate love and heartbreaking grief, Swedish poet Gustaf Fröding (1860-1911) explains the drowning of the beautiful Ingalill.
Producer
In his tale of passionate love and heartbreaking grief, Swedish poet Gustaf Fröding (1860-1911) explains the drowning of the beautiful Ingalill.
Director
In his tale of passionate love and heartbreaking grief, Swedish poet Gustaf Fröding (1860-1911) explains the drowning of the beautiful Ingalill.
Editor
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
Cinematography
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
Producer
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
Director
A meteorite, strange vegetation, a colour: an experimental take on H.P. Lovecraft's spiral into madness, shot with a vintage camera on truly unique LomoChrome 16mm film.
Producer
Lovesick, a young maiden summons heavens and hell for aid, but only the devil hears her.
Editor
Lovesick, a young maiden summons heavens and hell for aid, but only the devil hears her.
Cinematography
Lovesick, a young maiden summons heavens and hell for aid, but only the devil hears her.
Director
Lovesick, a young maiden summons heavens and hell for aid, but only the devil hears her.
