Editor
In The Villain, Billy attempted something a little different. He's still imitating Chaplin, but this time he's playing the wicked, top-hatted Charlie found in some of his earliest Keystone appearances (e.g. Mabel at the Wheel), the ones where Charlie himself seemed to be imitating the studio's recently departed Ford Sterling. Throughout this short there is much spoofing of old-time melodramas, a frequent motif of Sterling's comedies.
Editor
A bumbling janitor in a fleabag hotel drives the residents crazy, and a poor artist believes that his girlfriend is having an affair with a wealthy artist living across the hall, and takes unorthodox measures to find out what's going on.
