Nao Yoshigai
História
Born in 1987 in Japan, Nao Yoshigai is a filmmaker, dancer and choreographer. Her film is “dancing.” She choreographs image and sound for time to focus on “watching and listening” as a motion picture, based on physical sense and phenomena which are unique for living things. ‘Grand Bouquet’ is selected to the Directors’ Fortnight in 2019.
Director
A girl and a boy brave the cold sea at dusk to observe the little wonders of nature. Equipped with cell phones, they reveal their fascination in front of the luminescent and strange creatures that inhabit the sea. A carefree film that reminds us of the fragile beauty of our planet.
Cinematography
A nine-minute film with intricate hand-drawn animation and dance.
Editor
A nine-minute film with intricate hand-drawn animation and dance.
For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden.
Writer
For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden.
Director
For some reason, there is very little snow in the winter of 2020 on the Shiretoko Peninsula, a special place located in the northernmost part of Japan where rare wild animals coexist with humans. The typical drift ice hasn’t appeared yet, either. Although worried, the inhabitants of the village Shari continue their daily affairs: the shepherd bakes buns, a hunter prepares a dinner with venison, a fisherman picks up trash from the sea and another person observes flying squirrels in her garden.
Director
Ayano is out of step with other people her own age. The growing obsession with fruit connects them to Satoko, who tends to the trees. A missing pear and a frightening item left behind may mean something else is near. Perhaps something sinister.
Editor
A helpless woman confronts a “black object” with a power greater than hers. The “black object” shoots her questions. The woman has answers to these questions, but can’t say them aloud. She feels up against the wall, and begins to throw up beautiful colorful flowers instead of speaking.
Screenplay
A helpless woman confronts a “black object” with a power greater than hers. The “black object” shoots her questions. The woman has answers to these questions, but can’t say them aloud. She feels up against the wall, and begins to throw up beautiful colorful flowers instead of speaking.
Director
A helpless woman confronts a “black object” with a power greater than hers. The “black object” shoots her questions. The woman has answers to these questions, but can’t say them aloud. She feels up against the wall, and begins to throw up beautiful colorful flowers instead of speaking.
Self
Rolling along on a bike or floating in a doctor’s office’s seasonal hamster display, Wheel Music explores the aesthetic feeling and social character of Sendagi, an old town in Tokyo under urban development in preparation for the planned Tokyo 2020 Summer Olympics.
Director
Rolling along on a bike or floating in a doctor’s office’s seasonal hamster display, Wheel Music explores the aesthetic feeling and social character of Sendagi, an old town in Tokyo under urban development in preparation for the planned Tokyo 2020 Summer Olympics.
Director
Along with vegetable and sea life, the camera is but one element of a sensual ride along a coastal road and playground in this masterful short.
Director
A misty body of water holds the moving human form, flesh, glass, and fabric placed in iridescent relation. -JAPAN CUTS: Festival of New Japanese Film
Director
Last gasps of the Seiza-sha house in Kyoto devoted to Torajiro Okada’s still-sitting meditation method from the late-Meiji era’s intercultural ferment. -JAPAN CUTS: Festival of New Japanese Film
A female musician lives in a traditionally built Japanese house. There are spirits running around the house that she cannot see. The spirits are delivering smells that they collect around the house to a being inside the water of the bath tub.
Writer
A female musician lives in a traditionally built Japanese house. There are spirits running around the house that she cannot see. The spirits are delivering smells that they collect around the house to a being inside the water of the bath tub.
Director
A female musician lives in a traditionally built Japanese house. There are spirits running around the house that she cannot see. The spirits are delivering smells that they collect around the house to a being inside the water of the bath tub.
