Georgi Beridze

Filmes

Alcoholic
Director of Photography
Alina was abandoned by her mother, so now she lives with her aunt, Alina thinks she is spiteful and doesn't love her. The only one who loves Alina is her doll. Accidentally girl found an announcement about recruiting in a children's dance group 'Vinochok'. This is the chance for Alina to break away of this miserable world, full of dirt uselessness and misunderstanding.
Haverá um teatro lá em cima?
Director of Photography
Um dos mais populares atores da Geórgia, Kakhi Kavsadze, guia-nos através do Kavsadze narrando uma família de famosos cantores populares georgianos e atores. Sua história reflete a vida de milhões de pessoas que viviam na antiga URSS e, conta as histórias de pessoas que participaram da Segunda Guerra Mundial; o sofrimento nos campos de concentração da Alemanha nazista e a posterior opressão dos comunistas.
Buta
Director of Photography
"Buta" is the story of a lonely 7-year old boy (named Buta), who lives in a mountain village with his grandmother. He is befriended by an old man, a liquid soap merchant who once loved (and lost) Buta's grandmother. The old man's friendship and wise advice helps Buta to overcome his difficulties in life. Buta's grandmother, in the meantime, is weaving a special carpet in memory of Buta's mother. The carpet features a special pattern (also called "Buta"), which represents love. The boy is inspired by his grandmother's work, and decides to make his own "buta" made of rocks and stones, high on the top of the mountain...
The Waltz on the Petschora
Director of Photography
Set in 1937 Stalinist Georgia, the film traces the parallel destinies of a mother, condemned by the government as "an enemy of the people" and exiled to a work camp in Siberia, and her daughter, who meanwhile is sent to an orphanage. Arriving at the overcrowded work camp, the mother and other women who are not considered strong enough to be labourers, must journey still farther, crossing the icy Siberian landscape in search of food and shelter. At the same time, the daughter escapes the orphanage and returns to her former home, where she finds that a KGB officer has taken up residence. He protects her and an uneasy rapport between them develops—one of abhorrence and attraction, need and suspicion.