Colorist
Vivek is 17, and as every middle-class family in India would attest, it is high time he was enrolled in coaching classes for the notoriously competitive entrance exams of the Indian Institutes of Technology (IITs). Vivek’s father, who sees an IIT degree as a moral certificate, ships his only son off to a residential preparatory school in Kota, the Mecca for IIT coaching. Over two years, Vivek goes through the motions of Indian adolescence, but it is his parents who do the growing up.
Colorist
Digital Intermediate Colorist
Quatro histórias de mulheres, luxúria e desejo. Mergulhe nas vidas de seis mulheres fortes e seus contos sobre amor, poder e anseios.
Colorist
The story revolves around a teenager from a conservative family who struggles to strike a balance between societal expectations and personal desires. According to the popular adage, Achcham (Fear), Madam (Innocence), Naanam (Coyness), Payirppu (Chastity) are the four "ideal" qualities that every good Tamil girl must possess.
Colorist
Pankaj is a small-town theatre actor with dreams of making it big in Mumbai. But faced with obligations to his family, which is under a deep financial strain post the lockdown, he is forced to weigh his dreams and make a choice.
Colorist
Anaben Pawar is an elderly tribal woman accused of witchcraft in rural India. Through Ana's story, we delve into a deep-rooted culture of patriarchy and examine one of the most monstrous attacks on women's bodies in modern India: the witch-hunt.
Color Assistant
Em um vale remoto no Butão, Sangay, de 16 anos, vive com o pai que é escultor tradicional de falos. Infeliz, rodeada de pessoas cujas vidas são governadas por crenças rigorosas, ela se sente presa. Seu pai não fica contente ao descobrir que ela anda com um homem casado de classe social inferior.
Colorist
O filme Quatro Histórias de Desejo apresenta quatro contos sobre relacionamento, amor, sexo e ciúme na Índia moderna. As histórias retratam com muita vivacidade o cotidiano das relações amorosas. A condução do roteiro é despretensiosa, leve e divertida. Os diálogos são o ponto forte da trama e, mesmo no segundo conto, onde quase não há diálogo verbal, ele existe no olhar da protagonista e na respiração dela.
