Paolo Poloni

Inspirado no livro HO-BA-LA-LÁ - À Procura de João Gilberto, do escritor alemão Marc Fischer, o cineasta francês Georges Gachot decide refazer os passos do autor no Rio de Janeiro em busca do recluso ícone da música brasileira. Com a ajuda de parentes, antigos amigos e conhecidos do criador da lendária batida de violão da Bossa Nova, Gachot tenta desvendar o mistério que envolve sua existência e encontrá-lo para fazer um pedido muito especial.

Mulhapar is a village in the wide expanses of the Punjab in Pakistan. A country associated with violence and intolerance. Beyond this sombre prejudice, the film plunges into the brimming life of a community of poor and rich people, Muslims and Christians, the young and the old, women and men. In Mulhapar, their family and individual destinies, as well as their stories and anecdotes are condensed into a vivid mosaic.

Mulhapar is a village in the wide expanses of the Punjab in Pakistan. A country associated with violence and intolerance. Beyond this sombre prejudice, the film plunges into the brimming life of a community of poor and rich people, Muslims and Christians, the young and the old, women and men. In Mulhapar, their family and individual destinies, as well as their stories and anecdotes are condensed into a vivid mosaic.

Mulhapar is a village in the wide expanses of the Punjab in Pakistan. A country associated with violence and intolerance. Beyond this sombre prejudice, the film plunges into the brimming life of a community of poor and rich people, Muslims and Christians, the young and the old, women and men. In Mulhapar, their family and individual destinies, as well as their stories and anecdotes are condensed into a vivid mosaic.

Mulhapar is a village in the wide expanses of the Punjab in Pakistan. A country associated with violence and intolerance. Beyond this sombre prejudice, the film plunges into the brimming life of a community of poor and rich people, Muslims and Christians, the young and the old, women and men. In Mulhapar, their family and individual destinies, as well as their stories and anecdotes are condensed into a vivid mosaic.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.