Dušan Husár

Filmes

A Sensitive Person
Director of Photography
This darkly grotesque drama unfolds on multiple paths. The tangible one, now cruel, now crazy, along which the nomadic actor "Dad Mour", his wife "Mum" and two sons try to return home, but also the imaginary one, even more, tortuous and dusty, on which the often impressive mental youth (or immaturity, a scrooge might say) is welded with life circumstances forcing the protagonist to wise up. An anxious and exuberant cinematic faerie about love, the fear of loneliness and the gaze of sons fixed on their fathers.
Banger.
Director of Photography
One night and a wad of cash he suddenly has to come up with quick. So he and his friend Láďa have to set out on a wild Friday odyssey full of cocaine and rap. The pursuit of fame and respect in the music scene slowly transforms into a desperate and dangerous attempt not to miss out on the chance of a lifetime. In their adrenaline-fueled ride through the nighttime streets of Prague the pair of friends are caught in a time crunch, teetering between a rap career and a moral choice which threatens the lives of dozens of young people.
Arvéd
Director of Photography
The real fate of Jiří Arvéd Smíchovský, a prominent hermeticist, occultist, believer in black magic and an exceptionally well-educated person with a brilliant memory. This avid book lover had doctorates in law, theology and philosophy and was fluent in five languages. He was interested in occult teachings, practiced magical ceremonies, was in contact with the Freemasons, but at the same time he was a member of the National Fascist Community while being homosexual. During the war he cooperated with the Nazis, after the war with the communist StB.
Delimitation
Director of Photography
A dancer moving through a city seeking a space in which to exist.
Punk je hned!
Camera Operator
Doing What They Love
Director of Photography
In Sudan, music is a central part of daily life. At the same time, young musicians struggle to find society's support in pursuing their passion the way they want. One organization called "Yalla Khartoum" strives to counteract by creating safe spaces for young artists to experiment in. This short documentary was shot during one of their workshops.
On the Roof
Second Unit Director of Photography
Situated in Prague, a 20-year-old Vietnamese named Song, hoped for a better future in Europe. But now in a Vietnamese district in Prague, he is trapped in a marijuana grow house and has life of a modern slave. Police rounds up the place. Song runs away on the rooftop of a condo building in a nearby district where he breaks down. Mr. Rypar (78) lives alone. He is fond of the old times, living in a strong opposition to modern world. Rypar goes up on the roof and meets Song standing on the very edge of the roof crying and the story begins.
Domestique
Director of Photography
Roman is a top level cyclist recovering from an injury through hard work and strict regimen. To improve his performance, he even sleeps in an oxygen tent installed in his bedroom. That is a bitter pill to swallow for his wife, Šarlota, whose long-time wish is to conceive a child. And so they both brim with determination, get lost in their obsessions, and improve their bodies to a point where they might even frighten themselves.
The Cellar
Additional Camera
The marriage of Tana and Milan Labat is going through a crisis. They are constantly quarreling while their 16-year-old daughter goes missing at her birthday party. The couple redefine their marriage as they set off to find their child.
Felvidek – Caught in Between
Director of Photography
In her documentary on Hungarian-Slovak relations, Vladislava Plancíková focuses on the word "felvidék", which refers to the now non-existent northern part of Austro-Hungary. In a personal collage consisting of the stories of members of her Slovak-Hungarian family and of visual references to historical events, she follows the eventful and today often taboo history of the post-war fate of Hungarians on Slovak soil. The abstract topic grabs our interest not only through the witnesses' testimony, but also by using thre novel technique of animating real objects, including a number of contemporary and modern photographs.