Kyle Faulkner

Kyle Faulkner

Perfil

Kyle Faulkner

Filmes

Spectre
Editor
A summoning, cleansing and releasing ritual for the many ghosts of lutruwita.
Spectre
Cinematography
A summoning, cleansing and releasing ritual for the many ghosts of lutruwita.
Spectre
Director
A summoning, cleansing and releasing ritual for the many ghosts of lutruwita.
Street
Editor
An obsessive young man cast in the role of a killer in an upcoming true crime production befriends a surviving family member of the real-life events.
Street
Director
An obsessive young man cast in the role of a killer in an upcoming true crime production befriends a surviving family member of the real-life events.
Street
Writer
An obsessive young man cast in the role of a killer in an upcoming true crime production befriends a surviving family member of the real-life events.
Street
Producer
An obsessive young man cast in the role of a killer in an upcoming true crime production befriends a surviving family member of the real-life events.
Sangha
Editor
At a temple at the far ends of the earth, a committee of dogs maintain guardianship over an ancient force.
Sangha
Cinematography
At a temple at the far ends of the earth, a committee of dogs maintain guardianship over an ancient force.
Sangha
Director
At a temple at the far ends of the earth, a committee of dogs maintain guardianship over an ancient force.
Wabi Sabi
Cinematography
Leftover scenes from Hitokara strung together as inconsequential ephemera
Wabi Sabi
Director
Leftover scenes from Hitokara strung together as inconsequential ephemera
Hitokara ヒトカラ
Editor
A poem about grief and the artificial, a copy of a copy of a copy, a therapeutic slow cinema meditation on solitude and the psychoanalytic and healing aspects of karaoke and all it implies, its emotional mechanics, modern art as endless duplication, the Real within the “false”. A love letter to Japan, channelling Marker and Benning into a spiritual reimagining of a Totoro hunt, a Shinto funeral rite for ghosts caught between worlds, and ideally, an antidote to Matsumoto's Atman. Featuring the Steamroom compositions of Jim O’Rourke.
Hitokara ヒトカラ
Cinematography
A poem about grief and the artificial, a copy of a copy of a copy, a therapeutic slow cinema meditation on solitude and the psychoanalytic and healing aspects of karaoke and all it implies, its emotional mechanics, modern art as endless duplication, the Real within the “false”. A love letter to Japan, channelling Marker and Benning into a spiritual reimagining of a Totoro hunt, a Shinto funeral rite for ghosts caught between worlds, and ideally, an antidote to Matsumoto's Atman. Featuring the Steamroom compositions of Jim O’Rourke.
Hitokara ヒトカラ
Director
A poem about grief and the artificial, a copy of a copy of a copy, a therapeutic slow cinema meditation on solitude and the psychoanalytic and healing aspects of karaoke and all it implies, its emotional mechanics, modern art as endless duplication, the Real within the “false”. A love letter to Japan, channelling Marker and Benning into a spiritual reimagining of a Totoro hunt, a Shinto funeral rite for ghosts caught between worlds, and ideally, an antidote to Matsumoto's Atman. Featuring the Steamroom compositions of Jim O’Rourke.
________
Editor
A portrait of a planet.
________
Cinematography
A portrait of a planet.
________
Director
A portrait of a planet.