Tulapop Saenjaroen
História
Tulapop Saenjaroen (Thailand) is an artist and filmmaker currently based in Bangkok. His recent works interrogate the correlations between image production and production of subjectivity as well as the paradoxes intertwining control and freedom in late capitalism. In combining narrative and the essay film genre, he investigates subjects such as tourism, self care and free labor through re-making and re-interpreting produced images and their networks. Saenjaroen received his MFA in Fine Art Media from The Slade School of Fine Art and MA in Aesthetics and Politics from CalArts.
Director
A story about storytelling: After returning to his hometown to work in his sister’s fruit processing factory, Earth slowly but surely pulls out of the family business to dedicate himself to writing an abstract, gory novel.
Editor
Este curta explora ideias sobre o eu através de formas líquidas filtradas através de tecnologias informadas pela história da animação tailandesa e cultura contemporânea. Num processo constante de construção de novos eus, reflexões sobre depressão são interligadas com diferentes formas de animação.
Writer
Este curta explora ideias sobre o eu através de formas líquidas filtradas através de tecnologias informadas pela história da animação tailandesa e cultura contemporânea. Num processo constante de construção de novos eus, reflexões sobre depressão são interligadas com diferentes formas de animação.
Director
Este curta explora ideias sobre o eu através de formas líquidas filtradas através de tecnologias informadas pela história da animação tailandesa e cultura contemporânea. Num processo constante de construção de novos eus, reflexões sobre depressão são interligadas com diferentes formas de animação.
Editor
Commissioned by the Abandon Normal Devices Festival as an exploration into the globalised shipping networks, liminal territories and spaces of trade and labour that converge on the port city of Laem Chabang in Thailand.
Writer
Commissioned by the Abandon Normal Devices Festival as an exploration into the globalised shipping networks, liminal territories and spaces of trade and labour that converge on the port city of Laem Chabang in Thailand.
Director
Commissioned by the Abandon Normal Devices Festival as an exploration into the globalised shipping networks, liminal territories and spaces of trade and labour that converge on the port city of Laem Chabang in Thailand.
Co-Producer
Como você monta o quebra-cabeça se a imagem está faltando? Você começa com peças individuais e vê como elas se encaixam. São os quatro jovens atores em uma viagem a Kanchanaburi, "uma cidade tão significativa e eu prefiro morrer se não ficar com você," como diz a música. O quarteto veio a Kanchanaburi para ver o museu, mas está fechado para reforma.
Producer
De acordo com a superstição tailandesa, uma virgem pode evitar a chuva plantando capim-limão de cabeça para baixo sob um céu aberto. Essa crença prevalece até hoje.
Editor
In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.
Writer
In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.
Director
In this updated homage to the 1930 German silent film of the same title, Thai artist Tulapop Saenjaroen examines the paradox of people relaxing while being filmed. As a film shoot appears to be in perpetual delay, crew members kill time fiddling on their smartphones, all the while under the persistent gaze of the camera.
Writer
A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.
Editor
A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.
Director
A tour guide and also a hotel rep automated voice, Kanya, leads her foreign guest, Alex, through a beach town in the east of Thailand called Bangsaen. Since Kanya's presentation is overtly aestheticized and strictly regimented, Alex decides to explore the town by himself, fantasizing to get out of the frame.
Director
The chronicles of a day in the life of a nameless woman as she wanders around Singapore. Part documentary part video essay, 'Nightfall' is a fictionalized account of Suwichakornpong's time spent during a residency researching Thai politics in a foreign land.
Director
“The Return” is an attempt by the artist to recall his lost memories of his father who died in the car accident in 1991 when the artist was almost five years old. Personal family photographs from his father’s funeral are overlaid with the imagined voice by the artist himself, fictionalising that his dead father is coming back to life—a strange and moving feedback loop between father and son, between photographic documentation and deteriorating memories, between personal history and its own otherness.
“The Return” is an attempt by the artist to recall his lost memories of his father who died in the car accident in 1991 when the artist was almost five years old. Personal family photographs from his father’s funeral are overlaid with the imagined voice by the artist himself, fictionalising that his dead father is coming back to life—a strange and moving feedback loop between father and son, between photographic documentation and deteriorating memories, between personal history and its own otherness.
