Consuelo Castillo

Filmes

Hoy y no mañana
Executive Producer
During Chilean dictatorship an exceptional group of women emerges and they will leave a unique legacy in history. It's the "Women for Life" movement. Female figures almost forgotten that in times of military dictatorship, when few dared to go out into the street, they organized by calling thousands of women who courageously manage to make art actions and lightning and unprecedented acts for the time.
The Wandering Soap Opera
Gladys / Pia
Uma série de vinhetas interligadas cujos personagens se encontram em todos os tipos de situações absurdas, em uma mistura de melodrama e fantasia. Os estereótipos de novelas como adultério e femme fatales são tratados com ironia, resultando em alguns comentários satíricos sobre a política chilena.
El inquisidor
Idea
During 1648, a dreaded commissioner of the Holy Inquisition arrives at Santiago. Social, political and religious life is shaken when six respected and married women are accused of committing the sin of fornication.
Casa de remolienda
Executive Producer
Concerned about the future of her three children, a widow takes them to the city with the purpose of getting them married.
Casa de remolienda
Prostitute 2
Concerned about the future of her three children, a widow takes them to the city with the purpose of getting them married.
El vecino
A young artist starts a friendship with his neighbour, a criminal who, tormented because of one of his crimes, seeks forgiveness.
Hasta en las mejores familias
Dramatic comedy that raise questions through satire about the moral tradition of Chilean society, its dogmatism and sexual intolerance and the repressive nature of the country's traditional family.
Miss Bolero
Ninón, singer, decides to escape from her frustrated love life, and leaves in search of an old love, finding on the way Alberto, who is on the run from the police
Los náufragos
Prostitute 3
After 20 years of exile, Aron returns to Chile to find out who he is. He asks questions, not only of those who stayed behind but also of himself, examining his relationship with his past and his own memory. The people who stayed lived through 20 years of dictatorship. They were either victims or executioners. Amidst this wreckage, Aron wonders what name his brother is using now, where his father is... Can he, in Isol's arms and through her love, find his way again ? What future awaits him? Like Mola the torturer, he has returned from an impossible journey, and Aron knows that each man is his own executioner. Shipwreck and resurrection are the two facets of a complex truth.