Director of Photography
Two Fijian-Indian sisters escape their cousin’s wedding to get high on disobedience and drugs.
Director of Photography
It’s 1988. Recently married Dana helps her eternally-single friend Aleea make a video profile for a dating service ATOMIC LOVE, provoking a confession which forces them to address the nature of their relationship.
Cinematography
When a young girl falls deep into the internet phenomenon that is Mukbang, she comes face-to-face with an unfamiliar feeling.
Gaffer
A socially anxious young woman lands a hot date. There's only one problem, she's not sure if it's actually a date.
Cinematography
Road trips usually signify a beginning but for Isaac and his partner Levi, this is their last chance to spend time together before they part ways. As they drive closer to their destination, Isaac finds that maybe he isn't as prepared for his first breakup as he had thought.
Second Assistant Camera
Depois de um encontro casual em uma festa de sexo anônima, um garoto caça o mundo de um aplicativo de engate para rastrear o homem misterioso. Favorecendo a gratificação instantânea de encontros sexuais anônimos e sem compromisso em vez de relacionamentos significativos, o colegial Sequin faz parte da geração sempre conectada, mas nunca comprometida, de encontros. Ele fantasma ex-parceiros e permanece emocionalmente indisponível. Isso até que ele encontra seu caminho para uma festa de sexo anônima, onde um novo mundo vertiginosamente atraente se desdobra diante dele. Em uma cena, Sequin se conecta com um estranho misterioso, mas eles são separados repentinamente. Totalmente obcecado por este homem, Sequin parte em uma missão emocionante e perigosa para rastreá-lo. Escrito por Jory Anast e Samuel Van Grinsven, Sequin in a Blue Room é um conto queer altamente realizado sobre a maioridade e uma lufada de ar fresco da cena do cinema independente australiano.
Director of Photography
Long time friends Louise, Nina and Alice celebrate their recent graduation with hectic partying, joined by their friend Kane who is the only friend not to attend university. Louise’s imminent departure for London adds to the underlying tension within the group, and as the boundaries between real and surreal blur, Louise devises an intervention to save their final days together. They embark on a road trip to regional Australia, and upon returning home face the reality of her departure. They are left, a group of suburban animals, on the threshold of their lives.
