Based on the bestselling biography: Entertainer Horst Lichter has barely had time to relax on his holiday when his mother calls him. In her own dry way, she tells him that she has been diagnosed with cancer and that things are not going well for her. Immediately Horst returns to his hometown with his wife Nada. Returning home brings back childhood memories - of a loving father and a mother who held the reins firmly in difficult situations. Horst tries his best to support his mother Margret - he organises doctor's appointments and tries to provide a little variety into her daily life, even though the relationship between mother and son has been strained for a long time: he counters his mother's edgy, frosty manner as he had learned to do when he was young. He emphasises the positive side of any situation and is always ready to respond with a snappy retort. When Margret learns how serious her illness really is, Horst begins to rethink his own life as well.
Hilla grows up in the 60s, her father is a worker and her mother a charwoman. But she wants a different future for herself, wants to study. After a violent incident she needs a strong shoulder. Who of her life will do?
The ensemble film THE GENITAL WARRIORS takes a look at the common past of the three main characters as their memories meet and overlap. The 70-year-old Frank sits in a geronto-psychiatric ward and types a screenplay about his relationship with Lena and Barbara. These two embittered women come together with a magic wand and a shotgun to travel to the past and commit an act of revenge on him.
In addition to demonstrating the unexpected complexities of individual life paths, THE WILD establishes the possibility of “cinematic space” becoming a type of “third space”. Two seemingly contrasting spaces merge to construct a new space. The first space is the living room of a retired couple. The second space is embodied in Super 8 recordings filmed by the old man during his numerous trips to Africa and Asia during the 60s, 70s, 80s and 90s. The pictures show exotic animals which are projected directly onto the walls and furniture of the house. The assembly of these differing spaces does not create a more succinct boundary between them, but rather assists in the mingling of the two spaces. In this fleeting moment of third space, as it is limited by time, a new cinematic reality is formed.
"Meeting place at Infinity" - Combines interviews with family members, contemporary witnesses, experts and critics, text passages as well as photo and film material with staged film scenes. The result is a portrait of the writer, his family and his time.
1934, Hamburg. Adolf Hitler is about to visit the city. Hamburg's executioner falls ill, and is unable to deliver the sentence of four communists who are awaiting capital punishment in jail. Fearing that this would spoil Hitler's visit, SS leader Footh offers a local bankrupt butcher, Albert Teetjen, 2,000 Marks in order to carry out the verdict. The broke Teetjen agrees and follows suit. When his neighbors hear of the execution, they shun him. His wife cannot tolerate her husband's deed and puts an end to her life. Eventually, Teetjen also commits suicide.
