Erik de Bruyn

The quirky Dutch-Jamaican Hadiah Tromp (21) is the daughter of Navy officer Tromp, who believes his daughter is a perfect fit for the Navy. But Hadiah doesn't like her Navy training. She prefers to stay at home and listen to her collection of old Ska records. When her boyfriend cheats on her, she decides to finish her Navy training. But Hadiah has difficulties feeling at home in the disciplined and closed environment of the naval frigate and she has constant collusions with the handsome but stern Sergeant Major Paul Borremans. Can the impulsive Hadiah stand tall in the Navy world full of rules? Or is she forced to leave the ship early?

The quirky Dutch-Jamaican Hadiah Tromp (21) is the daughter of Navy officer Tromp, who believes his daughter is a perfect fit for the Navy. But Hadiah doesn't like her Navy training. She prefers to stay at home and listen to her collection of old Ska records. When her boyfriend cheats on her, she decides to finish her Navy training. But Hadiah has difficulties feeling at home in the disciplined and closed environment of the naval frigate and she has constant collusions with the handsome but stern Sergeant Major Paul Borremans. Can the impulsive Hadiah stand tall in the Navy world full of rules? Or is she forced to leave the ship early?

Uma jornalista de investigação se envolve em um caso apimentado com Ben, um importante banqueiro de Nova York, para desvendar os segredos do lado obscuro do mundo das finanças. Quando ele descobre suas intenções, Ben se transforma em seu pior inimigo.

J. Kessels is the story of the bizarre road trip taken by a French literary pulp writer with his favourite character J. Kessels. The journey takes them from Tilburg to the Hamburg Reeperbahn in Kessels' old American 'Kamikaze' clunker as they seek out cheating dealer. When they get there they find a corpse in the trunk of the Kamikaze: easy to find, but how do you get rid of it?

J. Kessels is the story of the bizarre road trip taken by a French literary pulp writer with his favourite character J. Kessels. The journey takes them from Tilburg to the Hamburg Reeperbahn in Kessels' old American 'Kamikaze' clunker as they seek out cheating dealer. When they get there they find a corpse in the trunk of the Kamikaze: easy to find, but how do you get rid of it?

A documentary about the Dutch band Racoon and their search for a perfect song.

A political comedy about an illegal Moroccan who makes it to President of the Netherlands. As we follow his unlikely rise and self-sought fall, Joes learns that it's easy to win the support of the people, but to rule them is a whole other story.

A political comedy about an illegal Moroccan who makes it to President of the Netherlands. As we follow his unlikely rise and self-sought fall, Joes learns that it's easy to win the support of the people, but to rule them is a whole other story.

The witness walks through the corridors of a courthouse, a floating camera following her. In a pale flashback, she is sternly interrogated by two policemen. In her flashbacks during the examination, we see the events, which seem realistic, but repeatedly turn out to be as changeable and unreliable as the human memory. At a great pace, the three narrative threads take turns, while the witness grows more and more anxious.

During the International Film Festival Rotterdam in 2002, Leo Hannewijk (festival director Film by the Sea) approached filmmaker and producer Digna Sinke with the idea of asking several film makers to make short films based on poems about the province of Zeeland. It would offer an opportunity to investigate the limits of the medium film and, just like poetry, not to focus on the story but to tackle universal and grander themes through mood and form. In the end, eight short films were realized, by eight different filmmakers. The films are connected by intermezzi, aerial shots of the Zeeland coasts. Poems of the Sea is a stirring and surprising portrayal of Zeeland. Filled with desires and passion.

The importance of the Atelier as a meeting and working-place for independent or beginning filmmakers is highlighted in Last days of Studio Frans van de Staak a necrology of his films by Kees Hin (2002), which focuses mainly on Van de Staak's non-naturalistic style of directing actors.

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

A group of friends in their early twenties re-consider their boring lives in a sleepy fishing village in the Netherlands.

October 1997. Paul Winters (35) is deputy public prosecutor in Arnhem and is working on his first major case: an investigation in to the allegations of a Bosnian girl that she was raped by three soldiers in the Dutch UN contingent and whose brother is alleged to have been killed by them. Winters suspects that the girl is telling the truth, but he can't prove it and the case is adjourned. Then one of the men gives a revealing statement that throws a different light on the case. Winters argues in favour of reopening the case, but faces opposition from an unexpected quarter.

An actor prepares, removing his shirt to iron it. All shirts stay off. In a mix of black and white, colour, and old film clips, a homoerotic odyssey begins. Troy is sacked, and Odysseus starts his languorous journey back to Penelope and Telemachos, who wait in Ithaca. Odysseus dreams: young well-muscled men roll on sheets, hands remove flowers to disclose a sculpted torso. The ship tosses Odysseus; gobs sleep in hammocks; a storm beats down and a life boat seeks a strand. Circe, disguised as Penelope, seduces Odysseus; he stays with her for seven years. In Ithaca, Penelope and her suitors are impatient. Will Odysseus arrive before the film crew breaks for lunch?