Elsje Scherjon

After 50 years the Fabeltjeskrant is back.

The older Prince Bernhard tells the story of his exciting life to Princess Máxima. After all, when Prince Willem-Alexander takes the throne, she will be his Queen and take up much the same position as Bernhard did as husband to former Queen Juliana of the Netherlands. His story takes us from Palace Soestdijk to once-German Reckenwalde with the young Bernhard, to Nazi-Berlin, wartime in London, Argentina and Canada and much more. It paints a portrait of the world from the thirties to the beginning of the twenty-first century. Bernhard survived the deepest of crises: accusation of treason by Ian Fleming during the war, corruption in the fifties and seventies, extra-marital daughters and even being the main reason for a dutch governmental crisis.

Rianne and Freek have three adopted children. They have a stable and happy family until the eldest son, Gilles (17), doubts his parents' love and sets off in search of his roots in Belgium. The family atmosphere is disrupted. Freek manages to calm the conflicts by talking, but swallows a lot of feelings. This affects his health. Rianne doesn't know whether she can keep the family together on her own.

A female veterinarian moves to the country side to start her own practice. She encounters a lot a skeptical villagers.

Registration of Herman Heijermans' play, performed by the 'Toneelgroep Theater' company.

Hes, an uptight and disaffected social worker reaching retirement, discovers a young woman, Anna, in the closet of an acquaintance who has committed suicide. Realizing that she has been kept in the apartment all her life, he moves in and helps her comes to terms with the complexities of the real world.

A devoted yet stressed out housewife takes a holiday to relax, and falls in love with another woman: a guitar-playing hippie who lives in a commune.

All the animals of Fableland are off on their annual picnic, except for Bor the Wolf. Just then an army of termites invades the peaceful forest.

As years pass, the Craets-Goldeweyn family must cope with the disappearance of the familiar and the inescapable new that imposes itself.