Benjamin Astrug

Three mice live in a cinema. One day, inspired by the gangster movies, they decide to conduct a grand robbery in a cheese shop.

A courtship journey of Mr. Pip

Short movie by Bretislav Pojar

A military scientist successfully creates robot soldiers in the shape of crabs, which turn out to be deadly warriors, but soon he discovers that his ambitious invention evolves in unexpected ways.

Short film made by Bretislav Pojar

The fifth and last episode of the "Who threw that, gentlemen?" series. The series is the continuation of the previous "bear" series "Hey, Mister, let's play?". This time the bears decide to grow carrots and turnips. While working they come across a billy-goat who wants to relieve them of their crop. The bears force him to return the carrots and turnips and to carry all the crops back to their home.

The third episode of the series "Hey, Mister, let's play", in which the heroes are two bears, one foxy and the other naive. In this episode the big bear out-smarts the small one by convincing him that the fish he caught is a spellbound princess.

The second part of the six-part series “Hey, Mister, Let’s Play”. The bears try go to the water, and the big bear is good and makes himself a car for the little bear.

Pilot of the series "Hey, Mister, Let's Play". The story of two bears, the older one is experienced and sly, the younger is naive and gullible. This is the story of how they met in the Czech town of Kolín.

A little boy who is unable to count goes off to the crazy planet where arithmetic doesn’t exist. After many adventures, he goes back to school to learn.

Karel Vachek’s graduate film offers us a documentary essay which is both a light-hearted and aggressive little piece and also a parody of investigative film journalism. The Strážnice folk festival, backed by the cultural Party apparatus of the time, for years had little to commend itself to authentic folklore. In the film the event assumes the form of a bizarre stage spectacle with almost surrealistic elements that Vachek reinforces with unconventional approaches (commentary appearing as titles on screen, singing, declamations into the camera, feature etudes, the fusion of news coverage and fiction). The result is a stirring film collage depicting various characters, from crowd-pleasers, Easter egg decorators, kitsch artists and peddlers, to museologists and local residents, all of whom come up against the eccentric "identical” twin reporters Karel and Jan Saudek and a bored actress who appears as an extra. Using their special blend of irony and wit, they present us with the sad truth.

A câmera subjetiva encontra liberdade e alegria em meio à rígida conformidade da vida em um internato comunitário de fábrica na Tchecoslováquia dos anos 60.