Faiyaz Jafri

Nascimento : , Netherlands

História

Once upon a time in a galaxy far far away, everything turns rainbow, rainbow, and rainbow. Faiyaz Jafri is appropriately subversive, and a postmodernist. His artificial plastic perfect digital aesthetic is occasionally misunderstood. It is all good. He never set out to make Disneyfied art that can match the couch. His work is pop-surreal, post-everything, memetic, and hyper-unreal, infused with Jungian neo-archetypes, it is so different, so appealing.

Filmes

Long Live Belarus
Long Live Belarus
Director
Over 50 animators from 19 countries collaborated to support Belarusians in their peaceful protests for fair elections and freedom. The animators offered their interpretation of the recent events in Belarus, creating the animated chronicles of these dramatic events. The white-red-white flag is a historical symbol of Belarus and has become a symbol of peace, protest, and hope for the people of Belarus. The youngest animator who participated in the project is only 12 years old.
Are You OK?
Are You OK?
Director
Leaders
Leaders
Director
Jack
Jack
Animation
Jack is naked. Jack is pretending to play guitar. Jack looks silly and vulnerable? This piece is inspired by the notion that the exposure of Jesus’ penis was to prove his humanity and vulnerability. Penis = Vulnerability. Penis + Air Guitar = Super Vulnerability.
Jack
Jack
Music
Jack is naked. Jack is pretending to play guitar. Jack looks silly and vulnerable? This piece is inspired by the notion that the exposure of Jesus’ penis was to prove his humanity and vulnerability. Penis = Vulnerability. Penis + Air Guitar = Super Vulnerability.
Jack
Jack
Director
Jack is naked. Jack is pretending to play guitar. Jack looks silly and vulnerable? This piece is inspired by the notion that the exposure of Jesus’ penis was to prove his humanity and vulnerability. Penis = Vulnerability. Penis + Air Guitar = Super Vulnerability.
Drowning Girl
Drowning Girl
Director
A Post-ironic solution for Baudrillard's problem of the irreplaceability of the Twin Towers, transcending space and place driven by their vernacularity in virtuality. A film about the end of the world as we know it.
Supersad
Supersad
Writer
Era uma vez em um estacionamento deserto, em uma galáxia muito distante, tudo vira arco-íris, arco-íris e arco-íris…
Supersad
Supersad
Director
Era uma vez em um estacionamento deserto, em uma galáxia muito distante, tudo vira arco-íris, arco-íris e arco-íris…
Amoricania
Amoricania
Director
Uma representação pós-moderna de Americana, criando uma narrativa através de um sistema de neo-arquétipos que trabalham juntos; hiperrealidade prestada em hiper-irrealismo.
Miller Fisher
Miller Fisher
Writer
Miller Fisher amalgama a experiência distorcida visual, física e existencial de uma desordem auto-imune com o mesmo nome, com a estética e vernáculo do GIF animado.
Miller Fisher
Miller Fisher
Director
Miller Fisher amalgama a experiência distorcida visual, física e existencial de uma desordem auto-imune com o mesmo nome, com a estética e vernáculo do GIF animado.
Sway
Sway
Director
A non-narrative computer-generated film that celebrates body hair and rock gods.
This Ain't Disneyland
This Ain't Disneyland
Director
A personal surreal account of the New York September 11 attacks, by juxtaposing the destruction of the Twin Towers and Disney neo-archetypes.
Hello Bambi
Hello Bambi
Director
Snow White's final dream on her way to the emergency room.
Natural Plastic
Natural Plastic
Director
Natural Plastic is a metaphor for the delicate balance between man and nature.
Supersad(opus)_01
Supersad(opus)_01
Director
A tragic love story situated in virtuality and driven by virality, employing parallel and layered visual narratives. This digitally generated film is an exploration of VR aesthetics and merges slit-scan and lenticular photography with Edvard Munch’s The Scream.